A bracing Vonnegut-esque performance full of angels and demons, winking commentary, and occasional bloodshed.



This third installment of a fantasy series finds Lucifer, disguised as a senator, preparing to take over the United States.

Sixteen-year-old Bailey Tannahill is a self-professed “tomboy” who loves hunting. She lives with her 19-year-old brother, Ian, and their parents, Brian and Linda, on a compound in the wilderness near Youngstown, New York. While trying to capture muskrats on the Miller property, Bailey witnesses a bright light and hideous winged creatures. These are demons that answer to Satan, who currently possesses the body of Sen. Bill Stevenson. When Brian, a hardcore survivalist, learns about Bailey’s sighting, he insists the family drive to Las Vegas, where angels recently defeated some demons. Ian stays in New York in hopes of working at the Pantomime Theater with the Amazing Ahti, an alcoholic magician. In Las Vegas, the Rev. Jay Masters wants to expand his Mysterium franchise to showcase the surreal battles between angels and demons that he and his daughter, Trudy, have experienced. Trudy, pregnant with her husband Gavin’s child, can now see the heavenly “ladders” by which the angels travel. She’s not the only person to display a strange, new power. Ian has been making small objects vanish, a harmless skill until he accidentally casts Bailey into the unknown. In this volume of Reynolds’ (Masters’ Mysterium: Las Vegas, 2015, etc.) quirky series, the author nudges Masters and Trudy out of the spotlight to make room for the Tannahill siblings. Their teenage struggles are well illustrated. Ian wants to be a lighting technician, not a survivalist like his father; Bailey, meanwhile, undergoes a heartening change when the power to communicate with animals manifests, forcing her to question a blind acceptance of hunting. And no story in which the devil possesses a politician would be complete without amusing lines like “Many senators tried to live on their meager $174,000 income without success.” Stevenson’s plot to found the Academy of Peace and Justice feels constrained by Reynolds’ large cast and the rotating tableaux that feature them, but the author’s wicked sense of humor remains intact.

A bracing Vonnegut-esque performance full of angels and demons, winking commentary, and occasional bloodshed.

Pub Date: Nov. 23, 2019

ISBN: 978-0-9886797-1-9

Page Count: 301

Publisher: Self

Review Posted Online: Feb. 6, 2020

Kirkus Reviews Issue: March 15, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.


Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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