by Rabbi Yehonatan Eybeshitz ; translated by Yacov Barber ‧ RELEASE DATE: Feb. 16, 2021
An often profound, if occasionally abstruse, introduction to the work of a leading 18th-century rabbi.
An English translation of the teachings of influential Rabbi Yehonatan Eybeshitz.
Julie Gerber has long been fascinated and inspired by her distant ancestor and 18th-century Jewish teacher, commentator, and cabbalist Rabbi Yehonatan Eybeshitz. When she found Barber, Gerber knew he was the ideal person to translate her acclaimed forefather’s work from Hebrew to English. As a prolific author and Jewish scholar, Rabbi Barber has an “elevated knowledge” of Eybeshitz’s infamously esoteric writing. He draws on a deep understanding of Hebrew and Jewish tradition to offer readers the first comprehensive English translation of Eybeshitz’s work. The book begins with Eybeshitz’s biographical information, from his early years in Poland to his high-profile dispute with a German rabbi over amulets he provided to pregnant women. Eybeshitz’s writings, the book’s titular “Pearls of Wisdom,” comprise two parts. The first consists of concise, yet densely packed, commentary on weekly Torah readings that span from Adam to Moses. With remarks as short as a page in length, these insights are meant to be “read a number of times (even if one understands the idea after the first reading) to fully appreciate the various subtleties being conveyed.” Some chapters address practical questions that naturally arise in the Torah, such as how Noah’s ark held and fed every animal in the world despite its physical limitations (the answer, in brief: God provided). Other chapters feature painstaking, multipage discussions of the hidden meaning behind a single word in an obscure verse. The second part of the book centers on Eybeshitz’s commentary pertaining to Shabbat, holidays, exile, and the “End of Days.” Like his teachings on the Torah, Eybeshitz’s approach to Shabbat uses arcane details, such as in-depth discussions about cutting fingernails or building a fire, to illuminate broader spiritual truths, like the purpose and meaning of Shabbat and its connection to the Tabernacle. The book’s last section addresses Eybeshitz’s ideas pertaining to the messianic era.
Reflecting the desires of Jews born in the 1600s, Eybeshitz emphasizes that “no Jew will be left behind” during this age as he eagerly awaits the return of Jews from Spain and Portugal “who were forced to abandon their faith” during the Inquisition. Though Barber openly acknowledges that Eybeshitz’s teachings “are complex and demand a great deal of prior knowledge,” this volume is remarkably readable. However, more historical context, annotations, and editorial commentary would help neophytes make headway through Eybeshitz’s most cryptic passages. Those outside Orthodox communities who seek answers to 21st-century issues on topics from sexuality to social justice may also not find many answers here. Additionally, despite the book’s brief biographical materials, readers who are encountering Eybeshitz for the first time may find themselves wanting for more concrete analysis of the legacy and import of his teachings to future generations, a claim that is often made in Gerber’s and Barber’s commentaries but rarely elaborated upon. Though these things may limit the book’s reach, rabbis and scholars of Judaism will find much to admire, and learn from, in this impressive translation.
An often profound, if occasionally abstruse, introduction to the work of a leading 18th-century rabbi.Pub Date: Feb. 16, 2021
ISBN: 978-0-578-85367-3
Page Count: 286
Publisher: Gerber's Miracle Publishers LLC
Review Posted Online: Nov. 2, 2021
Review Program: Kirkus Indie
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by Amy Tan ; illustrated by Amy Tan ‧ RELEASE DATE: April 23, 2024
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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