A sometimes engaging but often confusing collection of fiction and poetry.
A volume of short stories and poems explores the vitality—and occasional brutality—of the human condition.
The exceptional always arises in the midst of the mundane. That’s one of the themes in Ramah’s stories, which document moments of confusion and epiphany on the island of Trinidad and Tobago and beyond. In “Dogla,” a group of boys comes to resent the mean older woman who has the best fruit trees but refuses to share. During a nighttime raid, one of the boys lights her fig trees on fire, though when she dies a couple of years later, he realizes he has complex feelings about the woman. In “The Abattoir,” a boy who feeds the pigs at the slaughterhouse returns on Saturday to see them butchered. In “It Is Not a Poodle,” a man moves to Vancouver and dives into the gay dating scene, but a potential connection is ruined by his confusion about a dog’s breed. The poems—there are only three of them—are short and have an almost folkloric sensibility. “Live,” in its entirety, goes: “Live Evil / For Evil is Live. / And the Devil has Lived.” Ramah’s prose, while generally straightforward, nevertheless invites readers to search for deeper meaning. Here, the boy who set fire to the fig trees describes the day the woman died: “The sun was shining. The sky was Caribbean blue. Like any normal day. Then, out of the blue, the rain started to fall. Everyone in the village came out to look at the sky. The rain looked like falling diamonds. Everyone waited for the news.” The six stories do not have traditional narrative arcs, and several of them, like “The Abattoir,” are essentially vignettes. Some are more experimental. “When Black Men Kiss” mixes the narrator’s homoerotic awakening with a reimagining of the Stations of the Cross as images from chattel slavery. While the writing is often powerful, the tales never cohere into larger statements, and readers will frequently be left scratching their heads. The same is true for the book as a whole. Just six stories and three poems, totaling 83 pages? Ending on an enigmatic quote about Montreal? The point, whatever it was supposed to be, must have gotten lost in the rain.
A sometimes engaging but often confusing collection of fiction and poetry.Pub Date: N/A
ISBN: 978-1-5255-8238-7
Page Count: 83
Publisher: FriesenPress
Review Posted Online: Oct. 19, 2021
Review Program: Kirkus Indie
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
