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AN EMOTIONAL MENAGERIE

FEELINGS FROM A TO Z

Emotional literacy is important, but this does nothing to help youngsters to achieve it.

An assortment of verses attempts to explain emotions to young readers.

The introductory six-stanza poem, written in an abcb rhyme scheme, sets the stage, announcing the 26 uncredited poems to follow that will describe each emotion in alphabetical order. Its opening stanza introduces the concept of likening emotions to animals, and this concept is carried throughout, with anger represented by a roaring lion, fear as a timid rabbit, and so forth. All the poems speak directly to readers, with details of situations in which they might feel these emotions along with instructions for understanding and dealing with them. The poems are presented in double-page spreads in carefully selected color palettes. The work does not succeed, however, in spite of all good intentions. The introductory poem presents the work as a kind of textbook for establishing the “useful skill” of “mastering emotions” in order to grow up “calm, wise and fulfilled” while also expanding readers’ vocabularies. (In support of the latter goal, key words are underlined, but there is no glossary to turn to for definitions.) The poems shed some light on the complexity of emotions, but concluding advice is often preachy and off-putting, telling readers to make better use of their time or to “move on,” for instance. Tortured rhymes abound, and the underlined vocabulary ranges wildly in difficulty (calm versus ambivalent).

Emotional literacy is important, but this does nothing to help youngsters to achieve it. (Picture book/poetry. 7-12)

Pub Date: April 6, 2021

ISBN: 978-1-9128912-4-5

Page Count: 60

Publisher: School of Life

Review Posted Online: Feb. 8, 2021

Kirkus Reviews Issue: March 1, 2021

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REAL FRIENDS

A painful and painfully recognizable tale of one girl’s struggle to make and keep “one good friend.” (author’s note)...

A truth-telling graphic memoir whose theme song could be Johnny Lee’s old country song “Lookin’ for Love in all the Wrong Places.”

Shannon, depicted in Pham’s clear, appealing panels as a redheaded white girl, starts kindergarten in Salt Lake City, Utah, in 1979, and her story ends just before sixth grade. Desperately longing to be in “the group” at school, Shannon suffers persistent bullying, particularly from a mean girl, Jenny, which leads to chronic stomachaches, missing school, and doctor visits. Contemporary readers will recognize behaviors indicative of obsessive-compulsive disorder, but the doctor calls it anxiety and tells Shannon to stop worrying. Instead of being a place of solace, home adds to Shannon’s stress. The middle child of five, she suffers abuse from her oldest sibling, Wendy, whom Pham often portrays as a fierce, gigantic bear and whom readers see their mother worrying about from the beginning. The protagonist’s faith (presented as generically Christian) surfaces overtly a few times but mostly seems to provide a moral compass for Shannon as she negotiates these complicated relationships. This episodic story sometimes sticks too close to the truth for comfort, but readers will appreciate Shannon’s fantastic imagination that lightens her tough journey toward courage and self-acceptance.

A painful and painfully recognizable tale of one girl’s struggle to make and keep “one good friend.” (author’s note) (Graphic memoir. 8-12)

Pub Date: May 2, 2017

ISBN: 978-1-62672-416-7

Page Count: 224

Publisher: First Second

Review Posted Online: Feb. 13, 2017

Kirkus Reviews Issue: March 1, 2017

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WRITE! WRITE! WRITE!

Here’s hoping this will inspire many children to joyfully engage in writing.

Both technique and imaginative impulse can be found in this useful selection of poems about the literary art.

Starting with the essentials of the English language, the letters of “Our Alphabet,” the collection moves through 21 other poems of different types, meters, and rhyme schemes. This anthology has clear classroom applications, but it will also be enjoyed by individual readers who can pore carefully over playful illustrations filled with diverse children, butterflies, flowers, books, and pieces of writing. Tackling various parts of the writing process, from “How To Begin” through “Revision Is” to “Final Edit,” the poems also touch on some reasons for writing, like “Thank You Notes” and “Writing About Reading.” Some of the poems are funny, as in the quirky, four-line “If I Were an Octopus”: “I’d grab eight pencils. / All identical. / I’d fill eight notebooks. / One per tentacle.” An amusing undersea scene dominated by a smiling, orangy octopus fills this double-page spread. Some of the poems are more focused (and less lyrical) than others, such as “Final Edit” with its ending stanzas: “I check once more to guarantee / all is flawless as can be. / Careless errors will discredit / my hard work. / That’s why I edit. / But I don’t like it. / There I said it.” At least the poet tries for a little humor in those final lines.

Here’s hoping this will inspire many children to joyfully engage in writing. (Picture book/poetry. 7-10)

Pub Date: March 17, 2020

ISBN: 978-1-68437-362-8

Page Count: 32

Publisher: Wordsong/Boyds Mills

Review Posted Online: Dec. 17, 2019

Kirkus Reviews Issue: March 1, 2020

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