Abramowitz's strength as a writer emerges in her ability to let her subjects speak candidly and openly about their...
From countless interviews with Hollywood's female elite, Abramowitz compiles a mesmerizing account of the sometimes-ugly confluence of sex, power, and celebrity amid the tarnish of Tinseltown.
Beginning and ending with the death of studio chief Dawn Steel, Abramowitz (Premiere magazine) describes a Hollywood landscape lush with money and power, as well as the rampant sexism that still hinders any woman who wants to grab a piece of the action. Despite the obstacles, many women succeed in these predatory waters, and their stories simultaneously shock and inspire. Abramowitz gives us the full range of Hollywood, from Barbra Streisand's eventual triumph in filming Yentl to Jodie Foster's trauma as the assassination-inspiring wunderkind of Taxi Driver. Sex, of course, is never in short supply, from the affair between Cybill Shepherd and Peter Bogdanovich on the set of The Last Picture Show to the rumors that have long dogged studio head Sherry Lansing that she slept her way to the top. Celebrity may sell in Hollywood, but one of the strengths of Abramowitz's exposé is that she gives us the stories of the women behind the scenes as well. We see, for example, Callie Khouri's creation of Thelma and Louise and Carrie Fisher's odyssey from actress to script doctor, as well as snapshots from the long careers of such Hollywood mainstays as writer Nora Ephron, agent Sue Mengers, and director Elaine May. These topics provide only a brief sampling of Abramowitz's tales: the beauty of the book lies in its encyclopedic ability to address almost every notable woman in Hollywood over the last 30 years.
Abramowitz's strength as a writer emerges in her ability to let her subjects speak candidly and openly about their experiences and passions; the resulting collection celebrates Hollywood's irrepressible ability to entertain while plumbing the dark reaches of its soul.Pub Date: May 1, 2000
ISBN: 0-679-43754-1
Page Count: 400
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2000
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
