DIVINE DAUGHTERS

A pain-filled autobiography by vocal artist, and composer Bagby. A former Stanford Law student, the author left school shortly before graduation to find herself. She met singer Bobby McFerrin at one of his concerts and then auditioned for his master class, recording her audition tape on an answering machine because she had no studio access or equipment. Through McFerrin, Bagby began singing with a women’s group called Voicestra, which continues to sustain her both professionally and personally. She interweaves her autobiographical text with lyrics and music from her own compositions, adding flavor to an intensely personal story. Her music emerges from the childhood traumas of dealing with an alcoholic and heroin-addicted father, charming one moment and violent the next; of always playing second fiddle to her musically gifted brother, Nelson; of feeling second-best because she was a daughter and not a son; and of facing racism in educational institutions. As an adult, Bagby has also experienced her share of difficulties. At 25, after leaving law school, she lived on the streets for a month, smoking marijuana every day. When she pulled herself together enough to enroll in an “intentional community,” she was raped on her first night there by a white man. Recovering from that rape has been a difficult process, with more recent heartaches (such as the miscarriage of a longed-for child and her husband’s affair with a white woman) reopening old wounds. Through it all, Bagby tries affirm the female worth, especially the power of daughters, seeking out old stories which show daughters to be of divine lineage. She encourages other women to sing and scream out their own stories, and she offers a clear role model for the refusal to be silent. Raw and very moving, though its terminology (“the red times of my menstrual cycle,” etc.) can be a bit trendy. (Author tour)