An oh-so-New-York 12-year-old struggles to sort out her relationship within what might be called the ultimate blended family (the front cover has a helpful diagram of all the relationships). Annabel has the sort of relationship with her parents where she calls them by their first names. Even after they split, all was pretty much okay until Jack moved to Australia to marry Penny, become Angus and Lucy’s stepdad—an eventuality that has Annabel seeing red—and father Beatrice. Annabel doesn’t really want to go to Australia over the Christmas break, but she does, hoping somehow to steal her father back. What she discovers, however, is that he’s happier than he ever was and is utterly disinclined to move home, however much he misses her. When Lucy and Annabel, at first enemies but later, convincingly, good friends, sneak off on a trans-Australia train trip, they set into motion a family crisis that brings all members of Annabel’s family to Sydney (including her new stepfather- and stepbrother-to-be; it’s been a busy vacation for her mother, too) in a sort of giant group hug that, however unlikely in the real world, is nevertheless a nicely satisfying way to end the story. It is a relatively predictable tale of raw feelings, jealousy, new friendships, and reconciliation, but it is enlivened both by Annabel’s sassy voice and by the acuity of her observations: “I had . . . never met them, and I knew that in those two years they would have developed a secret family language only they could understand.” If there’s rather a lot of parent-to-child explaining about love and relationships, readers can still only hope that their own families can sort themselves out as well as Annabel’s. (Fiction. 11-14)
Pub Date: March 1, 2003
ISBN: 0-689-84549-9
Page Count: 144
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An outstanding addition to the inadequate-parent genre.
For 12-year-old, “fifty percent Swedish, twenty-five percent Haitian, twenty-five percent French” Felix, all of his scary stories are about the Ministry of Children and Family Development—the Canadian agency that has the power to take him from his mom and place him in foster care.
His flighty mother, Astrid (she’s the Swedish part), is both depressed and chronically under- or often unemployed. His father is mostly out of the picture. Astrid will do what she needs to, including artfully lying and stealing, to keep their heads—barely—above water as they descend into homelessness. As depicted with gritty realism, the pair has been living in a van for months, using public restrooms, and rarely having enough to eat. But Felix has two great friends, Winnie, who is Asian, and Dylan, who is white; they will watch his back whatever comes. Sadly, they have little idea of his truly dire situation since he’s so resourceful at hiding his problems in order to stave off the MCFD. When Felix is selected to appear on a quiz show, it seems as if it could offer a resolution for their troubles: Winning would earn him a $25,000 prize. Felix’s deeply engrossing and fully immersive first-person narrative of homelessness is both illuminating and heartbreaking. Although the story ends with hope for the future, it’s his winsome and affecting determination that will win readers over.
An outstanding addition to the inadequate-parent genre. (Fiction. 11-14)Pub Date: Sept. 11, 2018
ISBN: 978-1-5247-6834-8
Page Count: 288
Publisher: Wendy Lamb/Random
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There is something profoundly elemental going on in Smalls’s book: the capturing of a moment of unmediated joy. It’s not melodramatic, but just a Saturday in which an African-American father and son immerse themselves in each other’s company when the woman of the house is away. Putting first things first, they tidy up the house, with an unheralded sense of purpose motivating their actions: “Then we clean, clean, clean the windows,/wipe, wipe, wash them right./My dad shines in the windows’ light.” When their work is done, they head for the park for some batting practice, then to the movies where the boy gets to choose between films. After a snack, they work their way homeward, racing each other, doing a dance step or two, then “Dad takes my hand and slows down./I understand, and we slow down./It’s a long, long walk./We have a quiet talk and smile.” Smalls treats the material without pretense, leaving it guileless and thus accessible to readers. Hays’s artwork is wistful and idyllic, just as this day is for one small boy. (Picture book. 5-8)
Pub Date: April 1, 1999
ISBN: 0-316-79899-1
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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