An inspiring adventure with a strong heroine.

What She Saw

In Conner’s first novel, a young woman starts seeing visions, changing her world forever.

Aliyah’s existence is a peaceful one. In her junior year of high school in a quiet town, she’s supported by a loving single mother, good friends, and a church community. Only one thing disturbs her: her dreams. They seem so real that they’re nearly visions, and she doesn’t understand what they mean. With the help of Pastor Mike, her church’s leader, and his foster son, Jesse, Aliyah begins to come to terms with her gift. It takes a great tragedy for her to meet Jesus and truly understand her special purpose on Earth, though the grief she feels in the aftermath threatens to overwhelm her trust in the divine plan. She’s pulled back into using her gift in the service of a friend, after which a series of dramatic events unfolds. Pastor Mike and Jesse also work in the service of God in special ways, as Aliyah learns, and she begins to refine her understanding of her gifts in their company. “You will have to choose to see the light,” Pastor Mike tells her when she’s in the grip of horrible dreams. “God has already chosen you, but you have to do your part to follow His light. Just remember that His light is more powerful than the dark; always. You don’t ever have to be afraid.” Though many influential men are present in Aliyah’s life, she is an effective and positive force in the world. Her blossoming romance with Jesse is cut short by his graduation, when they decide they both need to see what God wants them to be before they proceed, leaving Aliyah refreshingly undefined by romance. Conner’s novel is ideal for teenagers who, preferring their reading both religious and exciting, are ready for discussions about the light and dark at play in all our lives.

An inspiring adventure with a strong heroine.

Pub Date: Oct. 14, 2014

ISBN: 978-1-4908-5190-7

Page Count: 290

Publisher: Westbow Press

Review Posted Online: Aug. 4, 2015

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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