An eloquent and engrossing selection of nonfiction writing that will enhance Cusk’s stature in contemporary literature.

COVENTRY

ESSAYS

A striking collection of essays from the acclaimed British novelist.

In three thematically organized sections, Cusk, a winner of the Whitbread and Somerset Maugham Awards who is also renowned for her Outline trilogy (Kudos, 2018, etc.), brilliantly delves into expansive realms of personal memoir and social and literary criticism. In the titular essay, the author reflects on her odd, sometimes-tense relationship with her parents, who, for unaccountable reasons, will periodically stop speaking to her—a phenomenon that in England is referred to as “being sent to Coventry.” Cusk then expands her account of this experience to address further complex and sometimes strained aspects of her domestic life. Readers of the author’s first-person fiction will be pleased with the acutely observant narrative voice that characterizes these introspective meditations on family, motherhood, marriage, and community. “Part of the restlessness and anxiety I feel at home has, I realize, to do with time: I am forever waiting, as though home is a provisional situation that at some point will end,” she writes. “I am looking for that ending, that resolution, looking for it in domestic work as I look for the end of a novel by writing. At home I hardly ever sit down: the new sofa has nothing to fear from me.” In the section entitled “A Tragic Pastime,” Cusk deals with broader ideas of creative self-expression, gender politics, and the writing process. In the essay “Shakespeare’s Sisters,” the author sets Simone de Beauvoir’s The Second Sex and Virginia Woolf’s A Room of One’s Own as alternating touchstones for considering the identity and concept of women’s writing within a male-dominated culture. In the final section, Cusk offers fresh perspectives on Edith Wharton and D.H. Lawrence and argues for the importance of Françoise Sagan, Olivia Manning, and Natalia Ginzburg. She also directs her discerning eye toward Kazuo Ishiguro and his novel Never Let Me Go and an even sharper edge to her withering assessment of Elizabeth Gilbert’s Eat, Pray, Love.

An eloquent and engrossing selection of nonfiction writing that will enhance Cusk’s stature in contemporary literature.

Pub Date: Aug. 20, 2019

ISBN: 978-0-374-12677-3

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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SLEEPERS

An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)

Pub Date: July 10, 1995

ISBN: 0-345-39606-5

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1995

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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