For creative types, Friedman takes the pressure off, redefining success in more ways than reaching the limelight.
A writer and former violist examines the delicate divide between giving up on a dream and moving forward.
When she was 11, Friedman (The Good Girl's Guide to Getting Lost: A Memoir of Three Continents, Two Friends, and One Unexpected Adventure, 2011) attended summer camp at the prestigious Interlochen Center for the Arts, which “stoked…an ambition to achieve musical greatness.” Years later, she abandoned the musical path she’d thought would propel her to glory and turned to writing. Dismayed by her “failed potential,” she interviewed her Interlochen classmates to learn where their ambitions led. Conversational anecdotes, memories, popular science, research on creativity, and a medley of quotes from Joan Didion, J.K. Rowling, and others form an intriguing, sometimes-indulgent exploration of talent and expectation. Why some people combine ability, luck, grit, and opportunity to break away from the pack while others quit remains unanswerable, but Friedman explores the topic with an appealing mix of trepidation and curiosity. Once a fan of the myth that true "art monsters" are single-minded individuals who sacrifice everything for the sake of mastery, the author encountered adults whose quieter pursuits challenged her conception of contentment. From a high school music teacher who balances creativity with family life to a scriptwriter who doesn’t equate the time he spends working with what he gets in return to a dancer-turned–Pilates instructor, her classmates paint a mature alternative to the winner-take-all view of a fruitful life. Though they often dwell on self-criticism, Friedman’s reflections on her own zigzagging journey are striking and raw. The author chronicles familiar doubts and daydreams on alternative futures with a bemused tone that changes over time. Sections on social media's tendency to fuel comparisons add tension to already heavy ideals. When the author finds that an ordinary life after a precocious start is fine, it’s anticlimactic but palpably relieving.
For creative types, Friedman takes the pressure off, redefining success in more ways than reaching the limelight.Pub Date: Dec. 31, 2019
ISBN: 978-0-14-313212-7
Page Count: 256
Publisher: Penguin
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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