A writer and former violist examines the delicate divide between giving up on a dream and moving forward.
When she was 11, Friedman (The Good Girl's Guide to Getting Lost: A Memoir of Three Continents, Two Friends, and One Unexpected Adventure, 2011) attended summer camp at the prestigious Interlochen Center for the Arts, which “stoked…an ambition to achieve musical greatness.” Years later, she abandoned the musical path she’d thought would propel her to glory and turned to writing. Dismayed by her “failed potential,” she interviewed her Interlochen classmates to learn where their ambitions led. Conversational anecdotes, memories, popular science, research on creativity, and a medley of quotes from Joan Didion, J.K. Rowling, and others form an intriguing, sometimes-indulgent exploration of talent and expectation. Why some people combine ability, luck, grit, and opportunity to break away from the pack while others quit remains unanswerable, but Friedman explores the topic with an appealing mix of trepidation and curiosity. Once a fan of the myth that true "art monsters" are single-minded individuals who sacrifice everything for the sake of mastery, the author encountered adults whose quieter pursuits challenged her conception of contentment. From a high school music teacher who balances creativity with family life to a scriptwriter who doesn’t equate the time he spends working with what he gets in return to a dancer-turned–Pilates instructor, her classmates paint a mature alternative to the winner-take-all view of a fruitful life. Though they often dwell on self-criticism, Friedman’s reflections on her own zigzagging journey are striking and raw. The author chronicles familiar doubts and daydreams on alternative futures with a bemused tone that changes over time. Sections on social media's tendency to fuel comparisons add tension to already heavy ideals. When the author finds that an ordinary life after a precocious start is fine, it’s anticlimactic but palpably relieving.
For creative types, Friedman takes the pressure off, redefining success in more ways than reaching the limelight.Pub Date: Dec. 31, 2019
ISBN: 978-0-14-313212-7
Page Count: 256
Publisher: Penguin
Review Posted Online: Sept. 15, 2019
Kirkus Reviews Issue: Oct. 1, 2019
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | SELF-HELP
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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.
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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.
In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.Pub Date: March 10, 2020
ISBN: 978-1-9848-0125-8
Page Count: 352
Publisher: Dial Books
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | SELF-HELP
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PROFILES
SEEN & HEARD
SEEN & HEARD
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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