THE HOMEMADE GOD

Siblings journey to an Italian lakeside villa to investigate the drowning death of their father.

Famed artist Vic Kemp invites his four children to a bombshell of a London lunch. A playboy for decades, the 76-year-old is in love. Twenty-seven-year-old Bella-Mae has had a startling effect on Vic: He has forsworn alcohol, preferring her “special” tea; lost weight; and is planning his final masterpiece. The siblings, between 30 and 40, are alarmed. Netta assumes her father is prey to a gold digger; Susan is worried her caretaking will be usurped; Goose, also Vic’s studio assistant, is hurt he’s been left out of this latest work; and baby Iris only wants what’s best—whatever that is. The four are unbreakably close, having raised each other after their young mother’s death and their father’s haphazard parenting, and yet are devoted to him and his domineering allure. This compelling family tableau turns thrilling when Vic—thinner, secretive—texts that he and Bella-Mae have married at his Italian villa. A few weeks later he is found dead in the lake. As the siblings converge at their summer home, the novel begins to skirt the edges of a whodunit, but as they attempt to solve the mystery, their relationships with each other begin to fray. Each of them has been damaged by Vic, and at an explosive lakeside dinner, long-simmering resentments are revealed. This dramatic conclusion, hinted at in the prologue, is not the end—instead the novel marches ahead 10 years for a summation that is, although pleasing, a bit strained in its insistence that everybody gets a slice of happiness.

The glamorous art world, juicy family discord, an Italian villa, potential murder—it’s hard to ask more from a summer read.