An unforgiving look at a brutal system.

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THE MARS ROOM

Another searing look at life on the margins from the author of The Strange Case of Rachel K (2015) and The Flamethrowers (2013).

Romy Hall killed a man. This is a fact. The man she killed was stalking her. This is also a fact, but, as far as the jury was concerned, the first fact mattered more than the second. That’s why she’s serving two life sentences at Stanville Women’s Correctional Facility in California’s Central Valley. Romy soon learns that life in prison is, in many respects, like her former life working at the Mars Room, a down-market strip club in San Francisco. The fight for dominance among the powerless looks much the same anywhere, Romy explains, and this novel is very much a novel about powerlessness. Romy is smart, she loves her son, but the odds were against her from the beginning, and most of the stories that intertwine with hers are similar in both their general outlines and their particulars. Chaotic family backgrounds, heavy drug use, and sex work are common themes. Several of the women Romy meets have been in and out of the jail for much of their lives. There are exceptions, like Betty the one-time leg model, who paid a contract killer to murder her husband for life insurance money and then put out a hit on the hit man because she was afraid he would talk. She becomes something of a celebrity inside Stanville. The cop who killed the hit man also becomes a major character. He’s different from the women in this novel because he once had considerable power, but he, too, has a history of abuse and neglect. Gordon Hauser, who teaches GED–prep classes at Stanville, has more agency that any other main character, but he quickly learns the limits of his ability to help any of the women he meets. This is, fundamentally, a novel about poverty and how our structures of power do not work for the poor, and Kushner does not flinch. If the novel lags a bit in the long sections of backstory, it’s because the honest depiction of prison life is so gripping.

An unforgiving look at a brutal system.

Pub Date: May 1, 2018

ISBN: 978-1-4767-5655-4

Page Count: 352

Publisher: Scribner

Review Posted Online: Feb. 20, 2018

Kirkus Reviews Issue: March 1, 2018

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With her second novel, Ng further proves she’s a sensitive, insightful writer with a striking ability to illuminate life in...

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LITTLE FIRES EVERYWHERE

This incandescent portrait of suburbia and family, creativity, and consumerism burns bright.

It’s not for nothing that Ng (Everything I Never Told You, 2014) begins her second novel, about the events leading to the burning of the home of an outwardly perfect-seeming family in Shaker Heights, Ohio, circa 1997, with two epigraphs about the planned community itself—attesting to its ability to provide its residents with “protection forever against…unwelcome change” and “a rather happy life” in Utopia. But unwelcome change is precisely what disrupts the Richardson family’s rather happy life, when Mia, a charismatic, somewhat mysterious artist, and her smart, shy 15-year-old daughter, Pearl, move to town and become tenants in a rental house Mrs. Richardson inherited from her parents. Mia and Pearl live a markedly different life from the Richardsons, an affluent couple and their four high school–age children—making art instead of money (apart from what little they need to get by); rooted in each other rather than a particular place (packing up what fits in their battered VW and moving on when “the bug” hits); and assembling a hodgepodge home from creatively repurposed, scavenged castoffs and love rather than gathering around them the symbols of a successful life in the American suburbs (a big house, a large family, gleaming appliances, chic clothes, many cars). What really sets Mia and Pearl apart and sets in motion the events leading to the “little fires everywhere” that will consume the Richardsons’ secure, stable world, however, is the way they hew to their own rules. In a place like Shaker Heights, a town built on plans and rules, and for a family like the Richardsons, who have structured their lives according to them, disdain for conformity acts as an accelerant, setting fire to the dormant sparks within them. The ultimate effect is cataclysmic. As in Everything I Never Told You, Ng conjures a sense of place and displacement and shows a remarkable ability to see—and reveal—a story from different perspectives. The characters she creates here are wonderfully appealing, and watching their paths connect—like little trails of flame leading inexorably toward one another to create a big inferno—is mesmerizing, casting into new light ideas about creativity and consumerism, parenthood and privilege.

With her second novel, Ng further proves she’s a sensitive, insightful writer with a striking ability to illuminate life in America.

Pub Date: Sept. 12, 2017

ISBN: 978-0-7352-2429-2

Page Count: 384

Publisher: Penguin Press

Review Posted Online: June 20, 2017

Kirkus Reviews Issue: July 1, 2017

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OF MICE AND MEN

Steinbeck refuses to allow himself to be pigeonholed. This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link though this is assuredly not a "proletarian novel". It is oddly absorbing this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find in a ranch what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define. Steinbeck is a genius and an original.

Pub Date: Feb. 26, 1936

ISBN: 0140177396

Page Count: 83

Publisher: Covici, Friede

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Feb. 1, 1936

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