An intriguing, action-packed tale, but the story’s important points—like the horrors of sex slavery—sometimes get lost among...



In this debut novel, a girl braves city streets and the South American jungle to avenge the murder of loved ones.

When Adelita “Adi” Alvarez was 7 years old, her family moved from the city to a remote jungle village to join a resistance movement against an oppressive regime. As she climbed trees and learned about medicinal herbs from a local healer, young Adi was happy. Four years later, an evil ringleader and his henchmen invade the peaceful village, killing innocents, including Adi’s mother and sister. Running away with her little brother, Benito, 11-year-old Adi uses her wits to survive. During the next four years, she faces myriad challenges. She and Benito stumble on a resistance camp run by children. Hoping to find her aunt, Adi leaves her brother at the camp and makes her way to the city. Rejected by her well-to-do aunt, hungry Adi ends up in another camp, where street kids struggle to stay alive. After meeting some girls who are sex slaves, Adi helps them escape to the jungle, where they are pursued by an angry trafficker. Reunited with Benito at the first camp, Adi learns that her grandmother was a leader of Las Hermanas, a famous resistance group. Is spunky Adi destined to follow in those heroic footsteps? Melin’s readable prose flows as swiftly as the jungle rivers she describes. But suspension of disbelief is required for the story, as Adi slices men’s throats, gouges out their eyes, lobs grenades, shoots an AK-47, tortures a villain by cutting off his fingers, and kills hardened military men in bloody, hand-to-hand combat. Other characters also perform distractingly unrealistic feats, like one of Adi’s comrades who has blood “gushing” from his abdomen yet manages to run and then swim in a fast-moving river. Keeping track of the many players in this well-intentioned novel can become dizzying. But lush natural descriptions—from ominous cliffs to dangerous electric eels in shallow pools—effectively set the dramatic mood.

An intriguing, action-packed tale, but the story’s important points—like the horrors of sex slavery—sometimes get lost among gory, implausible details.

Pub Date: Feb. 16, 2018


Page Count: 255

Publisher: FriesenPress

Review Posted Online: April 18, 2018

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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