A dense, carefully rendered work of minute, memorable detail.
One woman's personal agony reflects the enormous chasm of inequality between the sexes in Pakistan.
A Pakistani journalist and human rights activist now living in America, Zakaria tells the disheartening tale of Pakistan’s history of military rule and Islamist misogynist oppression through the stories of her own family members, especially that of her Aunt Amina, who was forced to accept her husband’s marriage to a second wife in 1986. A clan of Kokani Muslims from Bombay who migrated to Karachi in 1950, just after partition, Zakaria’s family lived in a close-knit community that kept largely to itself within the strangeness of the new country, where the military was exalted above all and women first voted in the election of 1970, which brought Zulfikar Ali Bhutto to power in an ethnically divided polity. Amina was the first of her family to attend college at that time, when the country erupted in ethnic war between East and West Pakistan and Bangladesh emerged from the ruins. An arranged marriage to Sohail promised stability and prosperity, yet no children arrived after a decade; Sohail met a woman at his bank, added a floor to his house, and installed Amina at the top and his new wife on the floor below. A week-on–week-off schedule alternating with the new wife became the humiliating compromise for Amina in her status as “half a wife,” scandalizing the community and disgracing the family. Nonetheless, the strictures of tradition prevailed, much as they did for another tragic daughter of Pakistan, Benazir Bhutto, who wed a Sindh landlord and attempted to rise above the feudal expectations of a woman of her class and lead her country fearlessly into the modern era. Zakaria chisels away chronologically at this relentless, cyclical history, and while readers continue to hope for a glimmer of positivity for these heroines, it does not come.
A dense, carefully rendered work of minute, memorable detail.Pub Date: Feb. 3, 2015
ISBN: 978-0807003367
Page Count: 256
Publisher: Beacon Press
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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