Good, if muffled by an overcomplicated structure and a talky narrator.

NO OTHER WORLD

Members of an Indian immigrant family in upstate New York struggle with their individual fates and burdens over two decades.

This novel opens by setting two scenes: in 1985, a boy named Kiran Shah is spying on his neighbors across the road, the Bells, hinting at traumatic events that have transpired in the recent past and others that will occur in the future; and in 1998, in western India, Kiran, now a young adult visiting relatives, meets two members of the transgender caste, hijras, who come to the door. All of this will be spun out in succeeding sections that move back and forth in time and place to follow several narrative threads. Dominating the early part of the book are the troubled connections between the Shahs and the Bells, which include both the adults and the children. Shanti Shah, unhappy in an arranged marriage and demeaning jobs as a housecleaner and a bank teller, is powerfully drawn to the blond pastor who lives across the way—and he’s interested in her, too. Her daughter, Preeti, dates Shawn Bell, a boy who ends up sexually abusing both Shah children in incidents that resonate through the book, affecting the siblings' relationship and Kiran’s coming-of-age as a gay man. The title of the novel refers to the notion that in another world, different choices might have been made, different lives might have played out—but there is no other world. That may be so, but the book’s very omniscient narrator spends a lot of time telling us what didn’t happen, what the characters aren’t thinking, didn’t notice, or can’t know yet. This commentary ultimately begins to smudge the sharpness of what does happen. Mehta’s (Quarantine, 2011) ambitious novel follows a well-received collection of short stories; he is a writer worth watching.

Good, if muffled by an overcomplicated structure and a talky narrator.

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-202046-8

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 7, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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