A fascinating account of cross-cultural insight that will interest memoir, history and metaphysical enthusiasts.

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THE DANCE OF DESTINY

A detailed exploration of a personal journey through varying cultures and countries.

As an 80-year-old Australian born in Malaysia to Sri Lankan parents, Ratnam has a rare view of spiritual destiny, colonial politics and cultural identity. This memoir traces his childhood in Japanese-occupied Malaysia to his move to Australia and two marriages to Australian women, creating a diverse array of cross-cultural situations. From the arrogance of British colonials disparaging the Asian cultures in ’40s-era Malaysia, to the fight for immigrant equality in present-day Australia, the author examines racial and cultural divisions. He also speculates on the role that destiny places on life’s journey. As the eldest and only son in his family, Ratnam was pushed to excel, skipping grades and entering an Australian college at an early age. Immature and unprepared to do laboratory work–which had not been taught in Japanese-occupied Malaysia–he failed his courses, bringing decades of shame on himself and his family. Still, his difficult time in Australia enabled the author to write three books related to migrant settlement and sociological issues, fulfilling his destiny of bridging Eastern and Western cultures. Ratnam writes with convincing authority, and his details of Malaysian and Australian society reveal a sharp eye for cultural nuances. He writes, for example, that the Australian tendency of shortening names was regarded as a depraved habit by Asian immigrants, since personal names reflected religious affirmations and tribal beliefs that held great significance. Because the author explicates portions of his life several times, his writing can be repetitive. Still, his optimism about multicultural understanding will sustain the reader’s interest.

A fascinating account of cross-cultural insight that will interest memoir, history and metaphysical enthusiasts.

Pub Date: Aug. 1, 2009

ISBN: 978-14269-1327-3

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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DEAR MR. HENSHAW

Possibly inspired by the letters Cleary has received as a children's author, this begins with second-grader Leigh Botts' misspelled fan letter to Mr. Henshaw, whose fictitious book itself derives from the old take-off title Forty Ways W. Amuse a Dog. Soon Leigh is in sixth grade and bombarding his still-favorite author with a list of questions to be answered and returned by "next Friday," the day his author report is due. Leigh is disgruntled when Mr. Henshaw's answer comes late, and accompanied by a set of questions for Leigh to answer. He threatens not to, but as "Mom keeps nagging me about your dumb old questions" he finally gets the job done—and through his answers Mr. Henshaw and readers learn that Leigh considers himself "the mediumest boy in school," that his parents have split up, and that he dreams of his truck-driver dad driving him to school "hauling a forty-foot reefer, which would make his outfit add up to eighteen wheels altogether. . . . I guess I wouldn't seem so medium then." Soon Mr. Henshaw recommends keeping a diary (at least partly to get Leigh off his own back) and so the real letters to Mr. Henshaw taper off, with "pretend," unmailed letters (the diary) taking over. . . until Leigh can write "I don't have to pretend to write to Mr. Henshaw anymore. I have learned to say what I think on a piece of paper." Meanwhile Mr. Henshaw offers writing tips, and Leigh, struggling with a story for a school contest, concludes "I think you're right. Maybe I am not ready to write a story." Instead he writes a "true story" about a truck haul with his father in Leigh's real past, and this wins praise from "a real live author" Leigh meets through the school program. Mr. Henshaw has also advised that "a character in a story should solve a problem or change in some way," a standard juvenile-fiction dictum which Cleary herself applies modestly by having Leigh solve his disappearing lunch problem with a burglar-alarmed lunch box—and, more seriously, come to recognize and accept that his father can't be counted on. All of this, in Leigh's simple words, is capably and unobtrusively structured as well as valid and realistic. From the writing tips to the divorced-kid blues, however, it tends to substitute prevailing wisdom for the little jolts of recognition that made the Ramona books so rewarding.

Pub Date: Aug. 22, 1983

ISBN: 143511096X

Page Count: 133

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 16, 2011

Kirkus Reviews Issue: Aug. 1, 1983

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