Comprehensive approach to treating addiction as a condition affecting both mind and body.

Addiction is Addiction

UNDERSTANDING THE DISEASE IN ONESELF AND OTHERS FOR A BETTER QUALITY OF LIFE

Three health care professionals present an approach to treating addiction as a disease having both physical and psychological components.

In this debut health book, Hajela, Newton, and Abbott address the challenges of addiction from a holistic medical and social perspective. The book opens with an explanation of addiction—which the authors capitalize throughout, part of their effort to mitigate the stigma associated with the word—as a condition that impairs the functions of the brain. They address the physical and behavioral symptoms associated with it, using pathology as a framework for understanding and treating addiction. Without blaming the patient for developing the condition in the first place, the book attempts to acknowledge the role of personal responsibility in managing a condition often attributed to individual shortcomings. The authors address medical treatments that can be effective for some forms of addiction, like alcohol and opiates, as well as the role of psychotherapy in treating underlying psychological problems and combating the thought patterns that lead to addiction behaviors. While much of the book is aimed at people dealing with addiction, later chapters discuss the roles of friends and family and treatment providers, along with strategies each group can employ in supporting the patient. For the most part, the book advocates a balanced, reasonable approach to dealing with addiction in its many forms, drawing on research and standard practices developed by mainstream organizations. As a result, it is disconcerting when the text introduces energy healing as a component of treatment: “It is important to understand that when people are out of balance in any of the energy centres, or chakras, people run at either a higher or lower level of energy.” Although an appendix explains the concept of chakras in more detail, energy healing is not essential to the book’s mission, and skeptics will still find it a useful resource for developing an approach to treating both the mental and physical aspects of addiction and understanding it as a chronic disease.

Comprehensive approach to treating addiction as a condition affecting both mind and body.

Pub Date: Sept. 9, 2015

ISBN: 978-1-46-026644-1

Page Count: 312

Publisher: FriesenPress

Review Posted Online: Nov. 4, 2015

Did you like this book?

No Comments Yet

WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

Did you like this book?

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

more