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PUT YOUR POTATOES ON THE DESKTOP

A PRACTICAL APPROACH TO EMOTION INTELLIGENCE

Anger is made manageable in this practical self-help book.

A doctor pitches potatoes as a tool for anger management.

Psychotherapist Sinn of Edmonton, Alberta, explores “the tragedy of the destructive mindset and the victory of the constructive mindset,” by teaching “emotion intelligence.” Anger is a “secondary emotion”—an energized state in the body—and in his book, Sinn presents a basic model using that staple of the kitchen, the common potato, as a symbol for anger. “Stress has to do with being in the presence of change…whereas anger is the sense that something is unacceptable and therefore something has to change. The energy of anger is a motivational energy in you to bring about change.” When a person is angry, in effect, he’s saying, I have a potato, and it’s hot. The first half of the text covers the destructive mind-set approach—expressing, repressing and suppressing. Suppressing (keeping a lid on anger), although inherently negative, often leads to success in the workplace, where declaring one’s true feelings is impolitic. As resentments build throughout a lifetime, potatoes accumulate in one’s sack. The lower one’s self-esteem, the heavier the sack, which also may be weighted by alcohol, smoking, drugs, gambling, food, excessive exercise, overwork, compulsive shopping and relationship/sex addictions. Through homework assignments, the book encourages readers to internally and externally separate a person and his anger from the problem. “Put your potatoes on the desktop” is a euphemism for a constructive method of anger management, aka “confess.” The first phase is admitting anger and taking ownership; the second phase is appropriately disclosing anger to others, followed by active forgiveness to achieve full release. Whether chips, fries or mashies, everyone has potatoes; the art is in learning how to deal. Using Sinn’s approach, we can slice, dice, chop and mince our troublesome taters. Confusing graphics in the text may have readers seeing red, but the potato pictures are cute. To further explore the destructive versus constructive mind-set, the author has created a soccer-based board game called FC Strategy®, available for purchase online.

Anger is made manageable in this practical self-help book.

Pub Date: May 26, 2009

ISBN: 978-1440123672

Page Count: 249

Publisher: iUniverse

Review Posted Online: Sept. 9, 2010

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UNTAMED

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 21, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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