by Ralph da Costa Nunez Ethan G. Sribnick ‧ RELEASE DATE: May 21, 2013
An engaging historical study of New York City poverty.
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An enlightening, comprehensive account of family poverty throughout New York City’s history.
The extreme poverty of New York City neighborhoods, such as the South Bronx, Brownsville and Harlem, is nothing new. In fact, as Nunez and Sribnick show in this remarkable work, it’s a phenomenon that goes back to colonial times—the city’s first poorhouse for the unemployed, homeless and sick opened in 1736. “Poverty has existed in New York as long as, if not longer than, it has anywhere in the United States,” the authors observe. They travel through eight distinct eras and detail how, with varying degrees of success, New York politicians and social reformers tried to combat poverty. Their ideas and initiatives were shaped by ideological biases that still influence today’s policies. For example, colonials believed that the poor were victims of their own personal failings, which required that they be dosed with work and religion; Jacob Riis and other 19th-century reformers believed that the causes of poverty weren’t personal but economic and environmental. In the 1990s, Mayor Rudolph Giuliani’s administration almost went full circle, implementing “workfare” programs that required welfare recipients to participate in job training; this pro-business, pro-development orientation, the authors write, has made New York what it is today—safer, wealthier and cleaner but “with pockets of abject poverty and more homeless than ever before.” Nunez and Sribnick avoid delivering what could have been a dry sociological treatise by including vignettes from the lives of poor and homeless people; one of them, Carmen Santana, shares a cramped two-bedroom Brooklyn apartment with her boyfriend and four of her children, the floors covered in “peeling linoleum” and the children sharing a single bunk bed. “[W]hen it comes to family poverty, there are no quick fixes,” the authors caution, but they convincingly argue that as long as New York, and the United States, remain wedded to “market-based solutions...all the proposals and plans will be window dressing.”
An engaging historical study of New York City poverty.Pub Date: May 21, 2013
ISBN: 978-0982553343
Page Count: 320
Publisher: White Tiger Press
Review Posted Online: June 11, 2013
Kirkus Reviews Issue: July 15, 2013
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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