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TRADING TWELVES

THE SELECTED LETTERS OF RALPH ELLISON AND ALBERT MURRAY

A small treasure.

An open window into a literary friendship and beyond.

The late novelist Ralph Ellison and novelist and cultural critic Albert Murray were undergraduate acquaintances at the Tuskegee Institute in Alabama before later becoming friends in New York in the 1940s. But it was mostly in the 1950s (when for two years Ellison was at the American Academy in Rome and Murray was a US Air Force officer stationed in Morocco) that the bulk of these delightfully engaging exchanges were written. This is Ellison and Murray at their relaxed best, shooting the breeze about photography, music, or cooking; riffing on Faulkner, Malraux, Robert Penn Warren, or T.S. Eliot; propounding their own literary and cultural theories; or critiquing the Eisenhower administration’s halfhearted efforts at school integration. Ellison, as it turns out, was as fussy about language as he was particular about the ingredients he used for his beloved pigs’ feet. They both were astute observers of the Jazz scene and seemed to know every bit of minutiae involving the Count Basie and Duke Ellington bands. (It is from jazz, in fact, that the title—a reference to the 12 bars of music that are “traded” back and forth during a riff—is derived.) Murray, two years Ellison’s junior, published his first novel (Train Whistle Guitar) some 20 years after Invisible Man. In that respect, he often comes across as the student to Ellison’s teacher. But there seemed to be no competition between them. Ellison disclosed to Murray as early as the 1950s that he was at work on a second novel that was never completed before Ellison died in 1994. John Callahan, Ellison’s literary executor, was able eventually to cobble together notes from this work-in-progress and finally to publish it last year as Juneteenth. Callahan also helped Murray select and edit his correspondence with Ellison.

A small treasure.

Pub Date: June 1, 2000

ISBN: 0-375-50367-6

Page Count: 368

Publisher: Modern Library

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2000

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SLEEPERS

An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)

Pub Date: July 10, 1995

ISBN: 0-345-39606-5

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1995

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LIFE IS SO GOOD

The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.

Pub Date: Feb. 1, 2000

ISBN: 0-375-50396-X

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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