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RALPH MASIELLO'S ROBOT DRAWING BOOK

Brainstorming—a book that ought to launch a thousand robots.

Masiello elegantly and joyfully taps into a thankfully enduring artistic tradition: the step-by-step technique that walks readers by hand through the creation of an image on paper.

Just as he has done previously for dinosaurs, dragons and bugs (Ralph Masiello's Dragon Drawing Book, 2007, etc.), here he guides young artists in the creation of robots—“ ’bots,” in the vernacular, as in “Squarehead Thinbot,” “Sparky Springbot” and “Zoidbot.” The artist starts by introducing readers to lines and shapes—nothing is taken for granted—from which can be drawn an elemental robot. He then provides a serious handful of “spare parts,” which can be used to add detail to readers’ creations. The spare-part section is good for sparking the imagination, but the best sparks are thrown by the finished products, which are cool in their radical colors and otherworldliness but not daunting (even if readers are not likely to attain his level of gradients and shadings). Robots are by nature somewhat scary, with their dead, sharklike eyes and sharp edges, and Masiello keeps that spooky quality. But he also knows how to invest them with humor: witness the “Bakerbot,” with a muffin cooking in its belly.

Brainstorming—a book that ought to launch a thousand robots. (Nonfiction. 6-9)

Pub Date: July 1, 2011

ISBN: 978-1-57091-535-2

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: May 3, 2011

Kirkus Reviews Issue: May 15, 2011

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BOOKMARKS ARE PEOPLE TOO!

From the Here's Hank series , Vol. 1

An uncomplicated opener, with some funny bits and a clear but not heavy agenda.

Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.

Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.

An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)

Pub Date: Feb. 14, 2014

ISBN: 978-0-448-48239-2

Page Count: 128

Publisher: Grosset & Dunlap

Review Posted Online: Dec. 10, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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THE ULTIMATE BOOK OF CITIES

There’s lots to see and do in this big city.

A set of panoramic views of the urban environment: inside and out, above and belowground, at street level and high overhead.

Thanks to many flaps, pull tabs, spinners, and sliders, viewers can take peeks into stores and apartments, see foliage change through the seasons in a park, operate elevators, make buildings rise and come down, visit museums and municipal offices, take in a film, join a children’s parade, marvel as Christmas decorations go up—even look in on a wedding and a funeral. Balicevic populates each elevated cartoon view with dozens of tiny but individualized residents diverse in age, skin tone, hair color and style, dress, and occupation. He also adds such contemporary touches as an electrical charging station for cars, surveillance cameras, smartphones, and fiber optic cables. Moreover, many flaps conceal diagrammatic views of infrastructure elements like water treatment facilities and sources of electrical power or how products ranging from plate glass and paper to bread, cheese, and T-shirts are manufactured (realistically, none of the workers in the last are white). Baumann’s commentary is largely dispensable, but she does worthily observe on the big final pop-up spread that cities are always changing—often, nowadays, becoming more environmentally friendly.

There’s lots to see and do in this big city. (Informational novelty. 6-9)

Pub Date: April 4, 2017

ISBN: 979-1-02760-079-3

Page Count: 22

Publisher: Twirl/Chronicle

Review Posted Online: May 30, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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