Retains little of gonzo journalism’s original fun and destructive joy.

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THE JOKE’S OVER

RALPH STEADMAN ON HUNTER S. THOMPSON

The original art director of all things gonzo, Steadman recalls 30 years of mythic adventures with the Master.

The Welsh graphic artist first encountered Hunter S. Thompson, who greeted him with a shot of Mace, in 1970. Their collaboration on a report about the depravity of the Kentucky Derby (now a collector’s item) marked the legendary birth of a special form of journalism. The pair went on to cover the America’s Cup, the Ali-Foreman match in Zaire, life in Hawaii and the 1972 political conventions. They produced their masterwork, Fear and Loathing in Las Vegas, in 1971. Steadman had no share in that copyright, an omission he didn’t notice then but is plenty mad about now (which might explain his dubious claim that “the book was noticed mainly for the drawings”). Up through Thompson’s suicide last year, theirs was not an easy relationship. Hunter’s feet stank, his friend reports. He hated Steadman’s attempts at writing, and “Hunter’s friendship was also a business agreement. . . . He was much more into deals than personal affection.” Yet Steadman chronicles three decades of bonhomie: swigging Wild Turkey at Owl Farm, driving dangerously, indulging in lots of dope and not a few guns. (They even do some shooting with William Burroughs.) Much of this memoir consists of letters to and from Thompson. Relying on repetitive, puerile, insult comedy, the correspondence is hardly on par with Bernard Shaw’s or even Groucho Marx’s missives. Bitching about the state of the world and listing America’s faults, the author begins in this text to sound like an old man wandering and cursing, lost in a shopping mall.

Retains little of gonzo journalism’s original fun and destructive joy.

Pub Date: Oct. 2, 2006

ISBN: 0-15-101282-2

Page Count: 352

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 2006

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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