Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

KILLING STRANGERS

An extraordinary, character-driven tale of a shocking, tragic event.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

This debut novel follows three men whose lives collide at a mass shooting in the South.

In an Atlanta auditorium, employees celebrate software company Happ!’s 10-year anniversary. A masked gunman suddenly opens fire, seemingly targeting random people. Then flashbacks, starting one year before and leading up to the shooting, reveal a trio of men. Alim Mubarak, an Iraqi-born American who works at Happ!’s Charlotte, North Carolina, office, is no stranger to conflict. He endures racists who declare that all Muslims are terrorists. Alim also implores his fellow Muslims to not seek revenge for a potential hate crime—a fire at a local mosque. Over in Atlanta, Dave Pruitt, a highly intelligent, 20-something man who lives with his parents, has Asperger’s. He also collects guns, an obsession that understandably concerns his father. Investment manager Mark McCarthy, like Dave, frequents shooting ranges, although Mark does it to relieve stress. But trouble with his love life and his struggling startup may be too much to handle. These men face hardships and tragedies that drive at least one of them to pick up a loaded weapon and commit mass murder. Gopal’s story zeroes in on its remarkable characters without immediately revealing the gunman. Though the novel intermittently returns to the shooting, it lingers on people’s reactions (including members of the public outside the auditorium) rather than the ongoing violence. The author meticulously and ably develops each of the three men. Alim and Dave are especially sympathetic. Bigots and bullies have singled them out for years, and even Alim’s 8-year-old son can’t escape discrimination. The story likewise tramples stereotypes, as Alim, who tirelessly advocates for peace, is not an extremist, and Dave isn’t incapable of emotions. Gopal’s concise prose and narrative perspectives that shift between the main characters and the escalating scene of the shooting establish a swift pace throughout.

An extraordinary, character-driven tale of a shocking, tragic event.

Pub Date: Oct. 6, 2021

ISBN: 978-93-5472-204-2

Page Count: 302

Publisher: Bluerose Publishers

Review Posted Online: Aug. 27, 2021

Awards & Accolades

Likes

  • Readers Vote
  • 59


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Awards & Accolades

Likes

  • Readers Vote
  • 59


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

Next book

THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

Close Quickview