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TRIUMPHS AND TRAGEDY

A HISTORY OF THE MEXICAN PEOPLE

The year 1992 is a time of agonizing reappraisals. Columbus was a louse. The Spanish Conquest of Mexico was, according to Ruiz (History/Univ. of Cal. at San Diego), a ``fortune hunt.'' All very well, but there's a danger in aiming for perfect political correctness. Sooner or later, you're bound to lapse from your own high standard. In this sweeping history of Mexico, it's sooner. After assuring us—who says we doubt it?—that the native civilizations of Mexico (population 12-25 million in the year 1520) were in all regards, except metal technology, the equal of European, Ruiz proceeds to dispatch the Olmecs, Maya, Toltecs, and Aztecs in just six pages. Sixteenth-century Spain alone gets twice as many. True, that's because Ruiz thinks Reconquista Spain set the pattern for many of the country's intractable problems, the on- going tragedy of his title. Still, the imbalance is disturbing, and not only here. And the author often lapses into old-style textbook shorthand. Cultural history, for example, always comes at the end of the chapter, an afterthought to wars and rebellions, and it never amounts to more than a string of famous names and a few tag- lines. The syntax is often deliriously declarative, the Monty Python history of Mexico: ``Spaniards, like males the world over, could not live without women and so they fornicated with Indian females and sired mestizos.'' Author of a close study of the Mexican revolution, The Great Rebellion (1980), Ruiz does gives a balanced and lucid account of the 30-year D°az regime, the tangled civil war, the US role in prolonging the agony. He sees the country now as returning to the D°az era, when big business ran the show and the needs of the poor were largely overlooked. But berating the burguesi†'s lack of a social conscience, he sounds again so glib and familiar that even when you agree with him, you want to disagree with his intellectual pessimism. Perhaps the best thing about this too-rapid survey of Mexican history from an impassioned expert is the rich and detailed bibliography. (Photographs.)

Pub Date: Feb. 3, 1992

ISBN: 0-393-03023-7

Page Count: 512

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1991

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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