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STRANGE THINGS AND STRANGER PLACES

A middle-drawer miscellany—eight stories and two novellas- -that spans the 20-year career of British horror-writer Campbell. At his best (as in Midnight Sun, 1991), Campbell writes elegant, soul-sucking horror that rivals the genre's finest—but there's none of his best here. To his credit, Campbell admits as much in his introduction, although he does preen about the most recent entry here—the previously unpublished novella ``Needing Ghosts.'' Before reaching it, the reader encounters, first, one of the author's earliest tales, ``Cat and Mouse,'' a lackluster bit of feline terror that does, however, flow smoothly. Next up is the once privately published ``Medusa,'' a true Campbell oddity since it's a science-fiction novella, an unsettling tale of alien encounter. Campbell says it's his strongest work of sf, since ``here and there imagination surfaces,'' and that's about right. Next come four stories inspired by the ghoulish E.C. comics of the 50's: one deals with zombies, a second with mummies, both obviously; ``A New Life'' is a wrenching take on Frankenstein from the monster's point of view, while ``Run Through'' is the collection's only truly scary tale—an eerie mosaic of flashbacks revealing a man pursued by a monster. Three mid-80's stories follow, two of them climaxing with the sort of predictable twist favored by their original publisher, TZ (Twilight Zone) Publications. And then there's ``Needing Ghosts,'' in which a writer takes a dreamlike odyssey through a threatening town and into the mystery of his own life, and perhaps death. It's Campbell at his most surreal—and most self-indulgent: a lament for the writer's lot that mixes horror and black humor as awkwardly as did his most recent novel, The Count of Eleven (1992)—not a happy augury for future Campbell work. With so much Campbell to read or reread, only die-hard fans will want to bother with these scrappy leavings.

Pub Date: June 1, 1993

ISBN: 0-312-85514-1

Page Count: 256

Publisher: Tor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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