AFTERLIFE CRISIS

This sprawling novel blends droll comedy, scientific conspiracies, and a strange take on the afterlife.

Graham follows his 2017 novel Beforelife with another book set in the same world: an afterlife that follows many of the same physical laws as our own and also includes a version of the city of Detroit. The novel’s narrator is one Rhinnick Feynman, a man who believes this universe is actually the work of “the Author Himself,” who is constantly rewriting certain details of the residents’ lives. Yes, it’s a winkingly metafictional take on the afterlife, given an additional flourish by Rhinnick’s Wodehouse-esque narration. (“Dashed inconvenient of the chap, I’ll admit,” he observes of one of the Author’s changes.) The literary homages don’t stop there, though: There are also allusions to H.P. Lovecraft’s fiction—and, yes, one character does say “Surely you’re joking, Mr. Feynman.” The plot involves Rhinnick investigating the odd changes to his world and what that might have to do with a group of people known as “Napoleons,” who believe they’re living through cycles of reincarnation. The man responsible for the bizarre happenings may well be Isaac Newton, engaged in a sinister plot to alter the fabric of the landscape. As that all suggests, this is a very crowded novel—which at times feels at odds with Rhinnick’s jocular narration. The mashup of erudite comedy and grand cosmic theorizing may find its admirers, but it frequently feels both too busy and insufficiently kinetic.

Graham’s novel is ambitious, but its tone and plot are in conflict with each other.