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ZOLA'S ELEPHANT

A lovely, nuanced collaboration.

When Zola moves into the house next door, a young girl imagines all of the reasons why a friendship between them is impossible.

Spying a giant moving box, the narrator immediately concludes that it contains Zola’s pet elephant. Smelling toast, she imagines Zola merrily feeding her pet. In contrast, Zola is shown in a room piled with drab boxes, despondently taking tea and toast with only her pet bird for company. Each brightly bedecked fantasy about Zola and her pachyderm playmate is a facet of the narrator’s cloaked fear of rejection by the newcomer. Readers are poignantly aware, through Zagarenski’s contrasting gray compositions of Zola’s actual circumstances, that she’s lonely and bored. Finally, the narrator’s lively imaginings provoke both curiosity and courage: “I like stories… / and clubhouses / and playing hide-and-seek / and taking bubble baths / with elephants.” Her own stuffed elephant under one arm, she knocks on Zola’s door, discovering that the huge crate contains—a sofa. “Okay, so maybe Zola doesn’t have an elephant. / But do you know what she does have? // A new friend.” De Sève’s well-paced telling is charmingly abetted by Zagarenski’s layered multimedia paintings. The artist’s Klee-esque colors and signature symbols—stars, crowns, houses, bees, and more—will provide fertile ground for young readers’ own imaginings. They depict both girls as pale-skinned, the narrator with fluffy red hair and Zola with straight, black hair.

A lovely, nuanced collaboration. (Picture book. 4-7)

Pub Date: Oct. 9, 2018

ISBN: 978-1-328-88629-3

Page Count: 40

Publisher: HMH Books

Review Posted Online: June 24, 2018

Kirkus Reviews Issue: July 15, 2018

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RUBY FINDS A WORRY

From the Big Bright Feelings series

A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their...

Ruby is an adventurous and happy child until the day she discovers a Worry.

Ruby barely sees the Worry—depicted as a blob of yellow with a frowny unibrow—at first, but as it hovers, the more she notices it and the larger it grows. The longer Ruby is affected by this Worry, the fewer colors appear on the page. Though she tries not to pay attention to the Worry, which no one else can see, ignoring it prevents her from enjoying the things that she once loved. Her constant anxiety about the Worry causes the bright yellow blob to crowd Ruby’s everyday life, which by this point is nearly all washes of gray and white. But at the playground, Ruby sees a boy sitting on a bench with a growing sky-blue Worry of his own. When she invites the boy to talk, his Worry begins to shrink—and when Ruby talks about her own Worry, it also grows smaller. By the book’s conclusion, Ruby learns to control her Worry by talking about what worries her, a priceless lesson for any child—or adult—conveyed in a beautifully child-friendly manner. Ruby presents black, with hair in cornrows and two big afro-puff pigtails, while the boy has pale skin and spiky black hair.

A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their feelings (. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-1-5476-0237-7

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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