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LET THE DEAD BURY THEIR DEAD

AND OTHER STORIES

A wildly uneven but always original portrait of a southern community—and a stimulating collection of tales by a courageous...

Kenan follows his first novel (Visitation of the Spirits, 1989) with a captivating, baroque history of fictional Tims Creek, North Carolina, whose citizens—both black and white—have experienced more than their share of unearthly wonders.

Tims Creek looks to outsiders like a dull North Carolina backwater settled by the descendants of slaves and slaveholders, now farmers, shop owners, factory workers, and general layabouts. But locals, as Kenan makes clear in the telling, know that nearly every dwelling in this fertile country houses a fascinating, if rarely flattering, tale. The Pickett house harbors the legend of three-year-old Clarence, who foretold his neighbors' fate (whether or not they wanted to hear it) and communicated with the dead until they called him to join them at the age of five; the rundown Williams shack shelters young Dean Williams, who foolishly agreed to seduce the town's richest black man in exchange for the promise of a job as a factory foreman; in the Pearsall home, a middle-aged mother unravels to the point of infanticide; and on her own front porch, old Maggie MacGowan Williams tries to come to terms with the fact of her beloved grandson's homosexuality. In coloring in the background of a town founded by runaway slaves, sustained by hypocritical preachers and ambitious exiled intellectuals, and taken over by bloodless modern-day manipulators—a land in which the dead live side by side with the living and the good fraternize with evil as a matter of course—Kenan switches unpredictably from the seductive rhythms of traditional folk tales to a drier, more distanced narrative voice, and even, in the title story, to a playful takeoff of a scholarly oral history, complete with lengthy footnotes.

A wildly uneven but always original portrait of a southern community—and a stimulating collection of tales by a courageous and humorous author.

Pub Date: April 1, 1992

ISBN: 0-15-149886-5

Page Count: 330

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1992

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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