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LUCY

A brief denouement in the final act reveals that each main character has given the others just what they needed; a clever...

Defying simple categorization, Cecil’s 144-page illustrated narrative presents a street dog that dreams of home, a light-skinned girl who longs for companionship, and her father, a juggler who panics in front of an audience.

Rendered in oil and printed in softly textured black and gray duotones on white paper, the scenes unfold in circular compositions (suggesting spotlights), accompanied by several sentences per page. Act I and II follow a similar pattern: noisy cars awaken Lucy, and she trots along the pavement to an apartment building’s entrance. Eleanor lowers a piece of sausage on a string from a second-floor window. The juggler’s exceptional skill is showcased when no one is looking, but he is yanked offstage each disastrous night. It is when the sensitive girl attempts to bolster her father’s confidence that changes occur. Each character’s daytime decisions lead to new outcomes after their paths intersect for a show-stopping evening performance during a climactic third act. Quirky caricatures featuring lopsided eyes and flat heads interpret the drama in the streets and interiors of a diverse community in an undetermined urban yesteryear. Children ready to move beyond early readers will appreciate the pace of the page turns and the chance to discover visual details that characters miss.

A brief denouement in the final act reveals that each main character has given the others just what they needed; a clever structure and a satisfying story. (Picture book. 6-9)

Pub Date: Aug. 1, 2016

ISBN: 978-0-7636-6808-2

Page Count: 144

Publisher: Candlewick

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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