It's too early to tell if the running joke of Millie's outsized adventures will get old, but at least in this first set of...
A new app series that combines several genres and styles to create a doggie adventure that feels fresh, Millie Was Here is off to a fetching start with a free preview—Meet Millie—and this separate full-length story.
Millie is a globe-trotting adventurer—though you would probably never know it if the mundane photos she's featured in hadn't been modified to put her on computer-generated planes or facing real-life boats with pasted-in pirate flags. The entire story is like that: overheated narration and text juxtaposed with otherwise plain dog-about-town pictures. "The island was dark and mysterious," the narrator intones as the fluffy black-and-white lapdog stands, leashed, in a pleasant urban park. But the trick works because the app is designed so well and has a sense of humor. It offers surprises on every page, from pull tabs that reveal hidden treasures to scratch-off games and hidden collectible cards. Though Millie's quest for the Lost Key to Endless Bacon feels a bit longer than necessary at 22 pages, the clever touches throughout, such as a stuffed animal who that is Millie's evil archenemy, are amusing and well-executed. Sound design, navigation and music are all high-quality, and a "Bedtime Mode" option that lowers the volume and dims the screen for nighttime reading is a welcome feature.
It's too early to tell if the running joke of Millie's outsized adventures will get old, but at least in this first set of apps, Millie more than earns whatever kibble App Store sales may provide for her. (iPad storybook app. 4-10)Pub Date: Aug. 1, 2011
ISBN: N/A
Page Count: -
Publisher: MegaPops
Review Posted Online: Sept. 3, 2011
Kirkus Reviews Issue: Oct. 1, 2011
BOOK REVIEW
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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