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RISING TIDE

BEAR BRYANT, JOE NAMATH, AND DIXIE'S LAST QUARTER

A generally appealing blend of eager sportswriting and sober cultural history.

The intertwining stories of a Southern football coaching legend, a star quarterback (who would craft his own legend) and the volatile civil rights movement in the early 1960s.

Roberts (History/Purdue Univ.; A Team for America: The Army–Navy Game that Rallied a Nation, 2012, etc.) teams with Krzemienski (History/Ball State Univ.), who has consulted for HBO sports documentaries and who hails from Beaver Falls, Pa., Namath’s hometown. The authors begin with Namath’s arrival in Tuscaloosa, where he would attend the University of Alabama. The school was not his first choice, but his SAT scores were below the requirements at Maryland, Notre Dame and others. The authors then catch us up to speed on Paul “Bear” Bryant’s life and career, the cultural history of football in the South and the steel-manufacturing life along the Beaver River (near where it dumps into the Ohio). Roberts and Krzemienski then proceed in steady chronology, pausing continually to rehearse the history of the civil rights movement. All the major moments are here (unusual in a sports book): the integration of the Southern universities, the Freedom Riders, the murder of James Meredith, the crusaders for segregation (Gov. George Wallace, Bull Connor), the pathetic pace of integration in Southern college sports. When the Crimson Tide ended the 1964 season ranked No. 1 in the nation, they did so without fielding any black players or playing any teams with any black players. Conventional sportswriting is here, too: accounts of games, individual plays, Namath’s knee injury, his draft and signing with the New York Jets. The authors sometimes leap over the line separating reporting from celebrating, offering continual paeans to Bryant’s character and to Namath’s abilities.

A generally appealing blend of eager sportswriting and sober cultural history.

Pub Date: Aug. 20, 2013

ISBN: 978-1-4555-2633-8

Page Count: 448

Publisher: Twelve

Review Posted Online: June 29, 2013

Kirkus Reviews Issue: July 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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