Hit head-on with the double-whammy death of his best friend and divorce of his parents, the once-popular, star-student, football-playing Matt eschews everything that was once important to him and reinvents himself as a dilettante and ne’er do well named Joker. In this bizarre offshoot of Shakespeare’s Hamlet, Matt’s story unfolds in a schizophrenic blitzkrieg of inner musings and dreams mixed with real time drama: He’s “haunted” by his drunken, depressed, cuckolded father. He denounces his mom’s recent marriage to his father’s best friend Claude. He rebuffs his adoring girlfriend Leah, and runs away from home to live with two burnouts named Roscoe and Guildo. It’s clear that Ranulfo relishes devising these allusions to the classic work, and he portrays them with much gusto and aplomb. Unfortunately, his style—no doubt also intended to recall Shakespeare’s poetic language—becomes so dissonant at times that it veers into near-absurdist territory that ultimately dissects the narrative into something so rambling, nonsensical and forced that teen readers won’t be able to grasp onto much of anything except for one majorly pissed-off main character. (Fiction. YA)
Pub Date: Aug. 1, 2006
ISBN: 0-06-054158-X
Page Count: 208
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
BOOK REVIEW
Disappointing.
Unlikely friends fight their growing feelings for each other while placing bets on other people’s love lives.
Bailey met Charlie while flying from Alaska, where she grew up, to Nebraska, where she and her mom would be living after her parents’ divorce. Although they briefly bonded over their parents’ divorces, Charlie’s cynicism grated on the rule-following Bailey, and she was thankful to part ways with him. Three years later, to Bailey’s dismay, she runs into Charlie when they both land jobs at Planet Funnn, a mega-hotel that’s “like a giant landlocked cruise ship.” This time around, Bailey and Charlie begin to get along better. To entertain themselves during their long shifts, they observe and make bets about the hotel guests. But they risk taking it too far when they bet on whether their co-worker Theo will end up with Nekesa, Bailey’s best friend, who’s in “a perfect relationship with the perfect guy.” The book explores Bailey’s conflicted feelings toward her mom’s new relationship with Scott (who doesn’t “do anything wrong” but whose presence changes “the vibe” at home), but it does so in a way that diminishes a primary source of conflict. Bailey's and Charlie’s feelings become even more complicated when Charlie helps Bailey with a fake-dating scheme intended to scare Scott off. Some of the banter between the leads, who are coded white, feels more aggressive than playful, detracting from their intimacy, and the circuitous plot may fail to sustain readers’ interest.
Disappointing. (Romance. 14-18)Pub Date: Nov. 28, 2023
ISBN: 9781665921237
Page Count: 432
Publisher: Simon & Schuster
Review Posted Online: Aug. 31, 2023
Kirkus Reviews Issue: Sept. 15, 2023
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
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