While not pushing to the limits to which Bob-Waksberg is demonstrably capable, a savage sendup of love in all its dubious...
Eighteen sometimes-whimsical, sometimes-biting short fictions from the creator of Netflix’s Bojack Horseman.
This offbeat collection of bad romances will be a treat for fans of Bob-Waksberg’s animated cult comedy but also fits squarely into the type of wry humor practiced by peers like Amy Sedaris and Simon Rich. It opens with a disastrous date in “Salted Circus Cashews, Swear to God,” which uses both typography and tension to land its unresolved ending. There’s a dash of Welcome to Night Vale in a longer selection, “A Most Blessed and Auspicious Occasion,” in which the happy couple getting married must wrestle with how many goats to sacrifice. Elsewhere, we find an uncomfortable reunion in “These Are Facts,” a collection of mundane superheroes in “up-and-comers,” and a scathing satire of professional theater in “You Want to Know What Plays Are Like?” While the author’s longer prose is deft, his humor lands more squarely in pieces that might seem gimmicky—lists, riffs, and bitterly funny imagined scenarios. These include "short stories," which is made up of a list of premises such as “ 'You’re not like other girls,’ he said to every girl”; “Missed Connection—m4w,” in which “timeless romance” takes on a very different meaning; the deeply uncomfortable “Lies We Told Each Other (A Partial List),” which ends with “I love you too”; "Lunch with the Person Who Dumped You," a lurid choose-your-own-adventure scenario; and "Rules for Taboo," a deeply weird set of rules for a game of that name. Bob-Waksberg caps his collection with a theme park of dead presidents in “More of You That You Already Are,” strongly reminiscent of David Sedaris’ “Santaland Diaries,” and a chaser in “We Will Be Close on Friday 18 July,” which pushes existential angst into a simple grammar error.
While not pushing to the limits to which Bob-Waksberg is demonstrably capable, a savage sendup of love in all its dubious glory.Pub Date: June 11, 2019
ISBN: 978-1-5247-3201-1
Page Count: 256
Publisher: Knopf
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
Once again, a highly impressive must-read.
Second part of an alien-contact trilogy (The Three-Body Problem, 2014) from China’s most celebrated science-fiction author.
In the previous book, the inhabitants of Trisolaris, a planet with three suns, discovered that their planet was doomed and that Earth offered a suitable refuge. So, determined to capture Earth and exterminate humanity, the Trisolarans embarked on a 400-year-long interstellar voyage and also sent sophons (enormously sophisticated computers constructed inside the curled-up dimensions of fundamental particles) to spy on humanity and impose an unbreakable block on scientific advance. On Earth, the Earth-Trisolaris Organization formed to help the invaders, despite knowing the inevitable outcome. Humanity’s lone advantage is that Trisolarans are incapable of lying or dissimulation and so cannot understand deceit or subterfuge. This time, with the Trisolarans a few years into their voyage, physicist Ye Wenjie (whose reminiscences drove much of the action in the last book) visits astronomer-turned-sociologist Luo Ji, urging him to develop her ideas on cosmic sociology. The Planetary Defense Council, meanwhile, in order to combat the powerful escapist movement (they want to build starships and flee so that at least some humans will survive), announces the Wallfacer Project. Four selected individuals will be accorded the power to command any resource in order to develop plans to defend Earth, while the details will remain hidden in the thoughts of each Wallfacer, where even the sophons can't reach. To combat this, the ETO creates Wallbreakers, dedicated to deducing and thwarting the plans of the Wallfacers. The chosen Wallfacers are soldier Frederick Tyler, diplomat Manuel Rey Diaz, neuroscientist Bill Hines, and—Luo Ji. Luo has no idea why he was chosen, but, nonetheless, the Trisolarans seem determined to kill him. The plot’s development centers on Liu’s dark and rather gloomy but highly persuasive philosophy, with dazzling ideas and an unsettling, nonlinear, almost nonnarrative structure that demands patience but offers huge rewards.
Once again, a highly impressive must-read.Pub Date: Aug. 11, 2015
ISBN: 978-0-7653-7708-1
Page Count: 480
Publisher: Tor
Review Posted Online: June 2, 2015
Kirkus Reviews Issue: June 15, 2015
BOOK TO SCREEN
BOOK TO SCREEN
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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