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HAMARTIA

A favorable introduction to a sci-fi series that sets the stage for more action-packed adventures.

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Debut author Rich’s sci-fi novel sends its characters on a roller-coaster journey through time.

It’s the end of the 21st century, and the human race is facing its greatest threat yet. Although incredible advances in technology and society have solved many problems, thousands are dying of Metagenesis, a condition in which a person’s soul separates from their body after too many reincarnation cycles. After Grace Dartmouth learns that her son, Jordan, has contracted the terrible disease, she’s determined to do anything to save him. Her chance comes when the world’s leading Metagenesis specialist approaches her and her soon-to-be-ex-husband, Marc Dartmouth, about an unapproved clinical trial. Dr. Messie describes how Jordan’s soul could be repaired by cloning a compatible soul from a past life—in this case, one of Marc’s. Grace is the only person who could possibly recognize Marc’s soul, so she’s chosen to travel back to the year 2000 and find it. She and her companion, Kay, arrive in the Las Vegas of that era, where they must navigate confusing customs as they race to accomplish their mission. After Grace discovers some sinister omissions in Messie’s story, she’s forced to make a painful decision—with her son’s life hanging in the balance. Rich spins an ambitious and imaginative concept into a plot that’s full of fantastically complicated twists. Throughout, readers receive myriad details about the mechanics of the fictional world and the motivations of its characters. Throughout, the narrative raises and resolves questions at a brisk pace, making for a compelling page-turner. The author occasionally oversaturates the narrative with excessive description or heavy-handed explanation, but the engaging plot and likable characters make up for these flaws. Grace and Marc’s dynamic as they navigate their broken relationship and their son’s illness is especially well-rendered. Rich wraps things up with a cohesive, satisfying ending, leaving plenty of intrigue for a promised sequel.

A favorable introduction to a sci-fi series that sets the stage for more action-packed adventures.

Pub Date: Aug. 15, 2018

ISBN: 978-1-947072-92-3

Page Count: 344

Publisher: Words Matter Publishing

Review Posted Online: Nov. 20, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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