Carver's spare voice remains distinctive in this new collection of stories (Will You Please Be Quiet, Please?, 1977, was his first). Scary in how quickly they unfold, the stories prove to contain within their small dimensions a frequent radicalism of emotion, a back-against-the-wall-ness that's startling. The speech-like titles—"Why Don't You Dance?," "Tell the Women We're Going," "I Could See the Smallest Things," "One More Thing"—act as false reassurances, dishes from under which Carver yanks the tablecloth. Domestic situations—mostly of leaving, of disappointing—predominate, narrated often in the form of one character telling another a story of self-compromise which neither of them can wholly bear. The very best stories here—"The Bath" (a dying child, the eerie spaces he clears) and "After the Denim" (an elderly couple and a hippie couple at bingo night, with the utter impossibility of ever lining lives up parallel)—both suggest, nearly unforgettably, that the most dangerous thing that any of us own is the past. "What people won't do!" comments an innocent, if vacuous, lover in the title story—and you sense Carver in the background, knowing all too well what people will do. Yet for all the true lugubrious anarchy we're so economically reminded of here, Carver's fiction may be less original than it seems. Dependent on a Jack Benny-ish deadpan, on the ironic situation that bends itself in two and then can't be re-straightened, Carver is essentially writing John O'Hara stories—but with all the water wrung out. The dialogue is faultlessly non-sequitur; the characters are often simultaneously released and terse (thanks to liquor); violence is daily and unremarkable. These are stories, in other words, strictly about mores, not morals—and if looked at in the long literary view, they can seem thin, sneakily sentimental, all tone. Still, as artifacts of American culture right this minute, they are mightily impressive and, at their best, invested with a fiercely humane pathos.
Pub Date: April 20, 1981
ISBN: 0679723056
Page Count: 180
Publisher: Knopf
Review Posted Online: Sept. 20, 2011
Kirkus Reviews Issue: April 1, 1981
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.
Pub Date: May 11, 1999
ISBN: 0-553-10963-4
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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