A spottily written but visually sumptuous look back at old-school photography.
A commercial photographer explains his craft in this memoir.
Klein revisits highlights from a long career that started in the 1950s and was spent mainly photographing products for print ads—everything from consumer electronics to Kleenex—while also doing artier portraits, landscapes, wildlife tableaux, and abstracts, some of which won awards. The colorful book mainly consists of making-of narratives about a series of pictures, each one discussing the artistic concept, set construction, lighting scheme, exposure schedules, and miscellaneous mishaps. (One photo session for an ad for Sears bathroom rugs featuring a cat nestled cozily in the plush floor coverings got derailed when the star kept stalking off the set.) The author includes full-color reproductions of the images he discusses, which are notable for their glowing hues and complex, arresting visual effects achieved with sophisticated lighting, filters, and long, multiple exposures. A dancer seems to swirl up and leap over his own crouching form; a jazz trumpeter highlighted in lurid reds and purples appears to be playing three horns at once; profusions of abstract discs and pentagons in honeyed gold erupt like shooting stars; the three-dimensional labyrinth of an iris blossom tunnels inward in delicate shades of blue; a full moon rises at dusk over Oregon’s Mount Hood above a river full of eerie, shimmering light. Klein opens a window on to the considerable aesthetic effort that goes into workaday advertising and re-creates the ingenious tricks film photographers used before digital effects came along. His writing is full of technical details and is pitched at readers who already have a substantial understanding of photography. (“The diffused red glow in the upper right area of the scene is coming from” a spotlight, “with a red filter, pointed at a black seamless background, seen through a glass,” he writes of an answering-machine ad that shows red lines suggestive of sound waves emanating from the device.) The book sorely needed a copy edit to prune irregularities like the overuse of quotation marks. Still, professional photographers and hobbyists will find much intriguing lore here, and casual readers can enjoy the captivating images.
A spottily written but visually sumptuous look back at old-school photography.Pub Date: Aug. 12, 2020
ISBN: 978-1-64908-246-6
Page Count: 92
Publisher: Pageturner, Press and Media
Review Posted Online: Jan. 4, 2021
Kirkus Reviews Issue: Feb. 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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