Next book

A SONG FOR THE ROAD

A sweet, twangy tale about a boy finding his future on the way to his past.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A debut YA road novel tells the story of an Oklahoma teen traveling across the West with his father’s guitar.

Fifteen-year-old Carter Danforth raids his single mother’s savings in order to buy back the left-handed acoustic guitar that his father—a successful musician—pawned on the way out of town six years ago. (“ ‘Creativity, Victory, Heart, and Discipline.’ Those four words had mattered to his father, enough to have them custom-stained into the guitar. The inscription was as valuable to Carter as the guitar itself, proof his father once had some good in him.”) But a tornado strikes Tulsa while Carter is in the pawn shop, and after a night hiding in the building’s basement, he walks home only to discover that his house has been torn in two by the storm. When he finally locates his mother, she’s lying in a hospital bed. She instructs him to buy himself a plane ticket to Reno to stay with his aunt—using the money he’s already spent on the guitar, of course—but instead Carter decides to find his father in California. If he can get him to sign the guitar and increase its value, he’ll be able to pay back his mother. On the road out west, he runs into all sorts of interesting characters, including a carpenter named Darren Bartles, who teach Carter about life and music—making the instrument that he’s lugging around less a memento of his father’s departure and more a tool to express the songs inside himself. Lacko’s prose is as full of grit and color as a classic country ballad: “The old man on the stage jutted his jaw in Darren’s direction. ‘We’ve seen him before,’ he said with a voice made of velvet and gravel. ‘He’s about as useful as an ashtray on a motorcycle.’ ” Carter’s is a heartwarming tale that mostly avoids sounding sentimental, with stakes that are simultaneously kitchen table and larger-than-life. It reads like the origin story of some mythic troubadour, and one can’t help but start to feel romantic about Americana by the time Carter reaches the end of his road.

A sweet, twangy tale about a boy finding his future on the way to his past.

Pub Date: Aug. 27, 2019

ISBN: 978-1-68463-002-8

Page Count: 243

Publisher: SparkPress

Review Posted Online: May 31, 2019

Kirkus Reviews Issue: July 1, 2019

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Categories:
Close Quickview