A layered and emotional epic fantasy opener.

THE ARENA

Ellis offers a debut fantasy novel set in a violent city that’s secretly controlled by magical forces.

In the city of Yddinas, Cael Brenion is a longtime champion arena combatant. One night, the bloodthirsty audience demands that he not only kill his current opponent, but soak his hands in the man’s gore. In his last moment with the enemy, the honorable Cael promises to provide for his opponent’s son; he also dedicates the match to his own younger brother, 12-year-old Breilyn, who lives with a foster family. At the local temple, high priest Agenayus prepares Cael and the other arena victors to place their hands in a holy fire to absolve their sins. However, Chancellor Rovert Orik intercedes and promotes Cael to Champion, an exalted status that only two other men in Yddinas enjoy, including Cael’s mentor, Braddw. Rovert is an insecure ruler who’s obsessed with having an heir despite his own failures in the bedroom. He encourages chancelloress Valeina to bed the man of her choice in order to become pregnant. Valeina, however, loathes Rovert and is determined to solve the riddle of Yddinas’ isolation from the northern realms, in part due to a mysterious, mirrorlike barrier. Only Agenayus, a powerful mage of the Suuroc race, knows the truth about mystical beings who live separately from humanity. For this series opener, Ellis marries the characters’ personal dramas to the fate of the city that they inhabit while also developing a grandly magical plot, which simmers in the background. Game of Thrones fans will savor the tightly controlled cascade of deceptions among the cast. The prose effectively reflects the hardscrabble existences of most of the people in Yddinas, as in the line, “A glare lingered between Cael and Breilyn, like two angry dogs fighting for the same tree to piss on.” When characters aren’t actually dueling, they cut each other with words, as when Rovert tells his wife, “You were a peasant, doomed to marry off into a middle-class family...and become another useless, spoiled hag.” The players’ bighearted gestures and delicious acts of evil are consistently riveting, and an intriguing, world-expanding finale makes the sequel unmissable.

A layered and emotional epic fantasy opener.

Pub Date: May 19, 2020

ISBN: N/A

Page Count: 393

Publisher: Mage Publishing

Review Posted Online: Jan. 24, 2020

Kirkus Reviews Issue: March 1, 2020

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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