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TIES THAT BIND

FAMILY AND COMMUNITY

There is something to offend just about everyone in this glossy, superficial entry in the Our Human Family series. Clay (Kidding Around Paris, 1994, not reviewed, etc.) describes how families serve four basic functions: to create and nurture children, to teach the young to become productive members of society, to share in both work and fun, and to care for the elderly. The numerous full-color, captioned photos are seldom directly linked to the text, and overall, Clay frequently employs oversimplifications: ``Partly because of the constantly changing needs of the industrialized workplace, divorce in North America has become more common than in many other parts of the world'' and ``Traditionally, boys have been preferred to girls, in great part because China's roots are agrarian and because men have held most of the economic and social power.'' Teenagers will have difficulty putting the snippets of information into meaningful context. (glossary, bibliography, index) (Nonfiction. 12-14)

Pub Date: Nov. 1, 1995

ISBN: 1-56711-126-2

Page Count: 80

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1995

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NICKOMMOH!

A THANKSGIVING CELEBRATION

Koller (Bouncing on the Bed, p. 143, etc.) portrays a Narragansett nickommoh, or celebratory gathering, from which it is very likely the tradition of Thanksgiving was drawn. As explained in an exemplary note—brief, clear, interesting—at the end of the book, these gatherings occurred 13 times a year, once each lunar month. The harvest gathering is one of the larger gatherings: a great lodge was built, copious food was prepared, and music and dance extended deep into the night. Koller laces the text with a good selection of Narragansett words, found in the glossary (although there is no key to pronunciation, even for words such as Taqountikeeswush and Puttuckquapuonck). The text is written as a chanted prose poem, with much repetition, which can be both incantatory and hackneyed, as when “frost lies thick on the fields at dawn, and the winged ones pass overhead in great numbers.” Mostly the phrases are stirring—as are Sewall’s scratchboard evocations—and often inspirational—for this nickommoh puts to shame what has become known as the day before the launch of the holiday shopping season. (Picture book. 6-9)

Pub Date: Oct. 1, 1999

ISBN: 0-689-81094-6

Page Count: 32

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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MAMA GOD, PAPA GOD

A CARIBBEAN TALE

Mama God, Papa God ($15.95; Apr. 26; 32 pp.; 1-56656-307-0): The creation story takes a whimsical Caribbean turn in a seamless blend of religion and folk-art set in Haiti. Tired of living in darkness, Papa God creates light, then goes on to make the world as a beautiful gift for Mama God. Together, they design a detailed world filled with brilliance, love, and humor. Highly stylized illustrations rich in primary colors show the progress of creation as animals, birds, water, fish, wind, and rain take their place in the world. This unusual rendition of the creation tale sings to a calypso beat and gives a strikingly different and exuberant interpretation of how the world began. (Picture book. 3-8)

Pub Date: April 26, 1999

ISBN: 1-56656-307-0

Page Count: 32

Publisher: Interlink

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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