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HOW SLIPPERY IS A BANANA PEEL?

A mixed bag of vibrant artwork, silly rhymes, and a spark of curiosity, best enjoyed in a cozy lap.

In this follow-up to Cats Are a Liquid (2019), Donnelly and Saburi invite budding scientists to ponder further.

It is a trope of physical comedy that banana peels are comically and catastrophically slippery, but how slippery are they, really? Inspired by the real-life experiments of Japanese scientist Kiyoshi Mabuchi, Donnelly compares banana peels to a wide variety of materials that move, slide, and glide. From lava flows and jelly wobbles to their namesake, the banana slug, fluids, friction, and even fashion are explored with smiling, anthropomorphic banana peels and a bevy of diverse young scientists all along the way. Saburi’s round-headed and dot-eyed cartoon children and comical bananas are delightful, and the liquid cats even make an appearance. As with its predecessor, the text can often stray into nonsense (“Is a squid a banana that dives in the deep?”). While the illustrations are adorable and animated, the questions posed and comparisons made in the rhyming text are sometimes only tenuously tied to banana peels. Rather, the banana peel seems to be an arbitrary vehicle to introduce many unrelated experiments, from rocketry to botany. Because of this, though the text is simple and encourages a brisk pace, the spreads are best enjoyed when explored together with an adult who can call attention to these details. (This book was reviewed digitally with 10-by-16-inch double-page spreads viewed at 39.1% of actual size.)

A mixed bag of vibrant artwork, silly rhymes, and a spark of curiosity, best enjoyed in a cozy lap. (author's note, activity) (Picture book. 3-6)

Pub Date: Jan. 19, 2021

ISBN: 978-1-250-25686-7

Page Count: 32

Publisher: Godwin Books

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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LITTLE DANDELION SEEDS THE WORLD

A cool concept a tad undermined by geographical overreach.

Dandelion seeds travel the world.

The story opens on an urban scene (possibly Cape Town) of a Black child whimsically blowing a dandelion, one fluffy seed floating “far, far away” to an undisclosed African plain. The book continues to describe the manner in which the seeds travel with the repeated refrain “swish, swirl, one hundred seeds fly.” The seeds are carried far and wide: one on the ear of a cheetah, another hitchhiking on a pant leg across the sea, a third in a bird’s droppings. The Howdeshells’ art is vibrant and engaging, taking care to include a diverse array of human racial presentations and details that establish each setting, the textured images focusing on indigenous fauna as the seeds fly. Of particular note is the lovely cover depicting a Black girl with natural hair. The seeds travel to Asia, Australia, North America, South America, and Europe. The entire globe is covered, including Antarctica, stretching a bit to match the conceit. An author’s note claims that “even chilly Antarctica has dandelions on the shoreline of South Georgia Island” as evidence for the plant’s reach to all seven continents. Whether South Georgia Island is part of Antarctica is arguable; it’s too bad the book makes this bland assertion. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 20.8% of actual size.)

A cool concept a tad undermined by geographical overreach. (Picture book. 3-6)

Pub Date: March 15, 2021

ISBN: 978-1-5341-1053-3

Page Count: 40

Publisher: Sleeping Bear Press

Review Posted Online: Dec. 24, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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SHARKBLOCK

From the Block Books series

Captivating—and not a bit terrifying.

Catering to young scientists, naturalists, and Shark Week fans–to-be, this visually arresting volume presents a good deal of information in easily digested bites.

Like others in the Block Books series, this book feels both compact and massive. When closed, it is 5.5 inches across, 6.5 inches tall, and nearly 2 inches thick, weighty and solid, with stiff cardboard pages that boast creative die cuts and numerous fold-out three- and four-panel tableaux. While it’s possible it’s not the only book with a dorsal fin, it certainly must be among the best. The multiracial cast of aquarium visitors includes a Sikh man with his kids and a man of color who uses a wheelchair; there they discover the dramatic degree of variations among sharks. The book begins with a trip to a shark exhibit, complete with a megalodon jaw. The text points out that there are over 400 known types of sharks alive today, then introduces 18 examples, including huge whale sharks, tiny pocket sharks, and stealthy, well-camouflaged wobbegongs. Reef sharks prowl the warm waters of the surface, while sand tiger sharks explore shipwrecks on the ocean floor. Bioluminescent catsharks reside at the bottom of an inky black flap that folds down, signifying the deepest ocean depths, where no sunlight penetrates. Great whites get star treatment with four consecutive two-page spreads; their teeth and appetite impress but don’t horrify. The book does a wonderful job of highlighting the interconnectedness of species and the importance of environmental stewardship.

Captivating—and not a bit terrifying. (Board book. 3-5)

Pub Date: May 4, 2021

ISBN: 978-1-4197-4119-7

Page Count: 84

Publisher: Abrams Appleseed

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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