by Rebecca Emberley & Ed Emberley & illustrated by Rebecca Emberley & Ed Emberley ‧ RELEASE DATE: Sept. 1, 2010
In this rollicking interpretation of “If You’re Happy and You Know It,” brightly colored, digitally created monsters à la Caldecott Medalist Ed Emberley's Big Scary Green one run amok, wriggling and roaring, stomping and twitching! The never-frightening creatures are rendered in eye-popping psychedelic colors against a flat black background and feature horns, antennae, claws, teeth and any number of eyes. It’s a family affair: The father-daughter pair cleverly interprets the text with lots of satisfying onomatopoeia and monstrous movements, while Rebecca Emberley's daughter, performing songwriter Adrian Emberley, provides an online version available for download. Monsters are instructed to snort and growl, smack their claws, stomp their paws, twitch their tails and perform other monster-appropriate activities on command, and it’s impossible not to picture young children dancing along to the dynamic beat, with glee. Not for a quiet storytime but great for nursery and school groups or lively one-on-one reading, this will be a favorite with adults and children alike, allowing for both imaginative play and a raucous but structured outpouring of energy. Roar roar! (Picture book. 2-6)
Pub Date: Sept. 1, 2010
ISBN: 978-0-545-21829-0
Page Count: 32
Publisher: Scholastic
Review Posted Online: July 15, 2010
Kirkus Reviews Issue: Aug. 1, 2010
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by Ahmet Zappa ; illustrated by Dan Santat ‧ RELEASE DATE: April 16, 2013
Funny though the illustrations are and loving though the text is, the book falls short due to lack of nuance.
Unabashed sentimentality dominates the text in this loving promise from a father to his child.
What saves this title from being just a syrupy pronouncement are the characters. Santat has good fun creating scenes for two hairy, horned monsters, the dad pickle green and the child a pleasing purple. The somewhat cuddly pair is comically shown participating in their less-than-ordinary activities like “having spaghetti for breakfast, French toast for dinner, and rocky road ice cream in the bathtub.” They play with robots, listen to really loud music, burp like champions and miss school to visit New York to share a hot dog. Readers will smile at the low-key humor in the pictures. The page stating, “Because I’m your dad, you can sometimes stay up late with me to watch TV” depicts the father asleep while the child sits on the sofa terrified by what is on the screen. Warm moments abound, as when little monster is rolled up by her father in a blanket like a burrito or when the dad checks the closet and under the bed for monsters. Zappa wrote this story for his daughter, and it overflows with genuine fatherly affection that he would like to pass on, since his father (avant-garde rocker Frank Zappa) did the same for him.
Funny though the illustrations are and loving though the text is, the book falls short due to lack of nuance. (Picture book. 2-5)Pub Date: April 16, 2013
ISBN: 978-1-4231-4774-9
Page Count: 32
Publisher: Disney-Hyperion
Review Posted Online: March 12, 2013
Kirkus Reviews Issue: April 1, 2013
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by Larissa Hopwood & Yvonne Kusters ; illustrated by Luke Flowers ‧ RELEASE DATE: May 3, 2016
Leave this on the shelf and take the kids outside to really move.
An interactive board book promises a variety of experiences.
A book that gets kids up and moving sounds like a great idea. The half-circle cutout of the spine and large handle formed by another die cut on the right side are intriguing. Unfortunately, the rhyming instructions for using the book as an exercise prop are confusing. Even adults will find themselves puzzled when told to “paddle the floor,” or to “hang on the handles. Step over the book. / You're a turtle in its shell! Go peek out and look.” The busy pictures shift perspective according to each scenario presented but give few visual clues. For example, the only hint of a dinosaur on the page where readers are told to “put this book to your mouth and let out a roar” like a dinosaur are the teeth that line the edges of what is meant to be a gaping maw. It’s not always obvious whether the book is meant to be facing readers or turned away from them, adding another layer of confusion. Furthermore, many of the instructions run counter to how young children are typically taught to treat books, as when they are told to step on it and then waddle or to lift it with their feet. The relatively thin board pages and weak handles will soon be torn by normal handling; following the directions in the text will only hasten the destruction.
Leave this on the shelf and take the kids outside to really move. (Board book. 3-5)Pub Date: May 3, 2016
ISBN: 978-0-7611-8733-2
Page Count: 32
Publisher: Workman
Review Posted Online: May 13, 2016
Kirkus Reviews Issue: July 1, 2016
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