An intense and unforgettable compilation of poetry.

PERMIT ME TO WRITE MY OWN ENDING

Faulkner’s debut collection of poems explores the underbelly of humanity.

The author boldly confronts the ugly, dark aspects of life and death in this powerful set of poems; she recounts a tragic accident and contemplates the aftereffects of war, among other grim topics. In “King’s Head,” a speaker recalls “gum hardened” desks, a phone cord in “Twelve” “stretched under my door umbilical tight,” and, in “Sixteen,” she describes being groped outside of a club. The innocence of a “jump-rope slap” in “Rope” and double Dutch chants of youth give way to “Operation Virginity” and gruff sex with a soldier. “Viable” describes a miscarriage, after which the speaker seeks solace on a lake bed in “Small Bodies of Water.” In “Fireweed,” the speaker yearns to tell an absent man about his son, “but there is no more room inside your busted skull for us.” She describes the ease of deceiving a doctor in “Transference” and the awkwardness of crossing paths with a therapist in the grocery store in “Shrink.” Faulkner also imagines the mindset of German political activist Sophie Scholl during her execution by the Nazi government in 1943and pens a tribute to Mrs Dalloway author Virginia Woolf’s traumatized World War I soldier Septimus Smith. The author is masterful at evoking the tough, gritty nature of her speakers’ surroundings, describing the way “the shoreline keens & punches,” the “gin-sodden drizzle” of Southend, and the “burnt chalk taste of trams” in East Berlin. Her work addresses the experience of being female in a hostile world: In “Sixteen,” the speaker recalls walking home, “brass keys clasped between shaking fingers.” Her “hunger / for things that are just out of reach” is palpable and relatable. That said, some readers might feel unmoored by the nonchronological order of the text.

An intense and unforgettable compilation of poetry.

Pub Date: March 23, 2023

ISBN: N/A

Page Count: 63

Publisher: Write Bloody

Review Posted Online: March 3, 2023

Kirkus Reviews Issue: May 1, 2023

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A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.

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HAPPY PLACE

Exes pretend they’re still together for the sake of their friends on their annual summer vacation.

Wyn Connor and Harriet Kilpatrick were the perfect couple—until Wyn dumped Harriet for reasons she still doesn’t fully understand. They’ve been part of the same boisterous friend group since college, and they know that their breakup will devastate the others and make things more than a little awkward. So they keep it a secret from their friends and families—in fact, Harriet barely even admits it to herself, focusing instead on her grueling hours as a surgical resident. She’s ready for a vacation at her happy place—the Maine cottage she and her friends visit every summer. But (surprise!) Wyn is there too, and he and Harriet have to share a (very romantic) room and a bed. Telling the truth about their breakup is out of the question, because the cottage is up for sale, and this is the group’s last hurrah. Determined to make sure everyone has the perfect last trip, Harriet and Wyn resolve to fake their relationship for the week. The problem with this plan, of course, is that Harriet still has major feelings for Wyn—feelings that only get stronger as they pretend to be blissfully in love. As always, Henry’s dialogue is sparkling and the banter between characters is snappy and hilarious. Wyn and Harriet’s relationship, shown both in the past and the present, feels achingly real. Their breakup, as well as their complicated relationships with their own families, adds a twinge of melancholy, as do the relatable growing pains of a group of friends whose lives are taking them in different directions.

A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.

Pub Date: April 25, 2023

ISBN: 9780593441275

Page Count: 400

Publisher: Berkley

Review Posted Online: Feb. 23, 2023

Kirkus Reviews Issue: March 15, 2023

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Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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IT STARTS WITH US

The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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