by Rebecca Hall ; illustrated by Hugo Martínez ‧ RELEASE DATE: June 1, 2021
An urgent, brilliant work of historical excavation.
A vividly illustrated account of Black women rebels that combines elements of memoir, archival research, and informed imaginings of its subjects' lives.
A former tenants rights lawyer, Hall pursued a doctorate in history to uncover America's warped justice system. "In order to understand our experiences as Black women today,” she writes, “I had to study slavery.” This collaboration with illustrator Martínez focuses on two women-led revolts in New York City and uprisings during the trans-Atlantic slave trade. Of a 1712 revolt, Hall finds in court records the first names of four women involved and sentenced to execution; none are quoted in transcripts. "This is one way history erases us….You think you are reading an accurate chronicle written at the time, but if who we are and what we care about are deemed irrelevant, it won't be in there,” writes Hall. The author also examines a 1708 revolt led by a woman referred to in documents as the “Negro Fiend”; she was burned at the stake. The granddaughter of slaves, the author seeks to honor her ancestors by filling in the silent record. Facing difficulty accessing records and digesting their information, Hall called upon her deceased grandmother for strength. In London, Hall delved into archives of the trans-Atlantic slave trade, reading hundreds of slave-ship logs. Revolts at sea were largely a suicide mission fueled by slaves' desire to "take their captors with them to the bottom of the ocean." Research shows that the more women onboard a slave ship, the more likely a revolt. Hall believes that this was because women were mostly kept unchained and on deck, where it was easier for crew members to rape them; this also gave them access to weapons. The black-and-white illustrations nicely complement the text and elevate the artfulness and the power of the book, which begins and ends with scenes depicting women-led revolts aboard a ship Hall calls the Unity.
An urgent, brilliant work of historical excavation.Pub Date: June 1, 2021
ISBN: 978-1-982115-18-0
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: April 6, 2021
Kirkus Reviews Issue: May 1, 2021
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PERSPECTIVES
by Roz Chast ; illustrated by Roz Chast ‧ RELEASE DATE: Oct. 24, 2023
A sharp compendium of dreamy visions that could only have come from the iconic cartoonist’s sleeping mind.
The renowned cartoonist taps into Freud, Jung, and Kabbalah to discuss what happens when the head hits the pillow.
Chast, famed New Yorker cartoonist and winner of the inaugural Kirkus Prize for Can’t We Talk About Something More Pleasant? makes it clear that while your own dreams may be inherently interesting, listening to other’ dreams is markedly not. Thankfully, the author’s thumbnail depictions of dreams that span a cross section of her bedside dream journal bring just enough humor and wit for readers to be charmed instantly. “This book is dedicated to the Dream District of our brains,” writes the author, “that weird and uncolonized area where anything can happen, from the sublime to the mundane to the ridiculous to the off-the-charts bats.” Familiar classics—“alone at a party,” “teeth falling out”—sit alongside the bizarre and hilarious—e.g., “too many birds not enough cages.” Even actor Wallace Shawn, son of former New Yorker editor William Shawn, makes an appearance: “He and I were walking down Main Street in a town in Connecticut and I needed to point something out to him: ‘Look, It’s a Broccoli Patch!’ ” From “Recurring Dreams” to “Nightmares” to “Dream Fragments or Ones That Got Away,” Chast explores beyond the first blush of the strange and personal in dreams. She writes, “here’s what’s interesting: dreams come out of my brain…as I sleep, I am creating them…so why, as they unfold, am I always so surprised?!??” The author reaches for answers beyond Freud and Jung to a wider range of insights from Kabbalah, Aristotle, neuroscientists, molecular biologists, and more. Illustrations and visual storytelling weave together a broad range of content on dreams that offers insight while never feeling burdensome or overly analytical. Easy on the eyes and witty, this book will have readers reaching for their own dream journals.
A sharp compendium of dreamy visions that could only have come from the iconic cartoonist’s sleeping mind.Pub Date: Oct. 24, 2023
ISBN: 9781620403228
Page Count: 128
Publisher: Bloomsbury
Review Posted Online: May 1, 2023
Kirkus Reviews Issue: June 1, 2023
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by Patricia Marx ; illustrated by Roz Chast
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by Carl Hiaasen ; illustrated by Roz Chast
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by Annette Gordon-Reed ‧ RELEASE DATE: May 4, 2021
A concise personal and scholarly history that avoids academic jargon as it illuminates emotional truths.
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New York Times Bestseller
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The Harvard historian and Texas native demonstrates what the holiday means to her and to the rest of the nation.
Initially celebrated primarily by Black Texans, Juneteenth refers to June 19, 1865, when a Union general arrived in Galveston to proclaim the end of slavery with the defeat of the Confederacy. If only history were that simple. In her latest, Gordon-Reed, winner of the Pulitzer Prize, National Book Award, Anisfield-Wolf Book Award, and numerous other honors, describes how Whites raged and committed violence against celebratory Blacks as racism in Texas and across the country continued to spread through segregation, Jim Crow laws, and separate-but-equal rationalizations. As Gordon-Reed amply shows in this smooth combination of memoir, essay, and history, such racism is by no means a thing of the past, even as Juneteenth has come to be celebrated by all of Texas and throughout the U.S. The Galveston announcement, notes the author, came well after the Emancipation Proclamation but before the ratification of the 13th Amendment. Though Gordon-Reed writes fondly of her native state, especially the strong familial ties and sense of community, she acknowledges her challenges as a woman of color in a state where “the image of Texas has a gender and a race: “Texas is a White man.” The author astutely explores “what that means for everyone who lives in Texas and is not a White man.” With all of its diversity and geographic expanse, Texas also has a singular history—as part of Mexico, as its own republic from 1836 to 1846, and as a place that “has connections to people of African descent that go back centuries.” All of this provides context for the uniqueness of this historical moment, which Gordon-Reed explores with her characteristic rigor and insight.
A concise personal and scholarly history that avoids academic jargon as it illuminates emotional truths.Pub Date: May 4, 2021
ISBN: 978-1-63149-883-1
Page Count: 128
Publisher: Liveright/Norton
Review Posted Online: Feb. 23, 2021
Kirkus Reviews Issue: March 15, 2021
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