Kanner’s second novel is animated but ultimately fails to leave a deep impression.
The book of Esther comes to life in this vivid novel based on the Old Testament tale.
Esther became queen of Persia against all odds. She was born into peasantry, orphaned in childhood, kidnapped at 14 by soldiers of King Xerxes, and brought forcefully to serve in the king’s harem. She catches the king’s eye during their first night together, and by the following day, she is queen—despite being secretly Jewish. Kanner, whose first novel, Sinners and the Sea (2013), illustrated the life of Noah's wife, another Old Testament heroine, does a fine job describing her heroine's various struggles. We hear Esther's voice clearly, and, despite a few anachronisms, that voice is moving. Kanner embraces the erotic underpinnings of the Biblical story and includes rich descriptions of the palace harem, the other concubines, and Esther’s sexual encounters with the king. Supporting characters are equally vivid: Kanner’s descriptions are convincing and rich, though they don't reach very deep. Her handling of dialogue can sometimes sound too contemporary for the time period and at other times, archaic, even starchy. Esther has to hurry: the king’s favored adviser, Haman, has begun urging him to decimate his land’s Jewish population in order to acquire untold riches. Esther is the only one who can convince her husband to spare the Jews. Bracing as all of this is, though, it’s overshadowed by an entirely fictional subplot in which Esther falls helplessly in love with the soldier Erez. Many breathless pages are devoted to their yearnings. Kanner does offer an appealing heroine: a woman who rose to the highest position her world offered and sought to leave behind an enduring, and noble, legacy.
Kanner’s second novel is animated but ultimately fails to leave a deep impression.Pub Date: Nov. 3, 2015
ISBN: 978-1-5011-0866-2
Page Count: 400
Publisher: Howard Books/Simon & Schuster
Review Posted Online: Aug. 17, 2015
Kirkus Reviews Issue: Sept. 1, 2015
BOOK REVIEW
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.
Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.
Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.Pub Date: July 2, 2013
ISBN: 978-1-4767-0772-3
Page Count: 320
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: May 20, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
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