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COUNTRY WIVES

A pleasant diversion, especially for animal lovers.

Quotidian doings at a rural English veterinary practice.

In this second in a series, Shaw (A Country Affair, 2006) details the continuing administrative woes of the Barleybridge Animal Hospital. Newcomer vet Dan is nettling the female personnel. He replaced the much handsomer Scott as a temporary staff doctor and is a dour party-pooper. Joy, the office manager, and Letty, a partner’s wife, are determined not to see Dan’s position made permanent, even though he’s a former equine vet to a sheik. Receptionist Kate, who hopes to attend veterinary college, warms to Dan once she accompanies him on some farm calls and witnesses his stall-side manner. Suspense here is of the “it might happen . . . then it does!” variety. Dan annoys Lord Askew, the local aristocrat, and loses his business by castigating his lordship for delaying a cow’s treatment. But Dan diagnoses the congenital foot defect of a roan belonging to Askew’s spoiled daughter, Mary. Thus, Dan might not only win back the bovine practice, but wrest Askew’s equine practice away from Barleybridge’s competition. And he does! Much of the story unfolds from Dan’s perspective, yet the exact nature of his pivotal breakup with his American inamorata is withheld until the end. His flirtation with Lady Mary is left dangling, as is the growing affinity between him and Kate as they deliver adorable lambs. When Kate’s father dies suddenly, Kate’s mother, Tessa, a solicitor who abandoned her to her father and second wife Mia, resurfaces after 19 years and offers to secure her daughter’s education and financial future. But Tessa’s overweening narcissism prompts Kate to consider renewing their estrangement. The rustic charm is jarred by animal cruelty (cat fanciers, be forewarned), but justice prevails, thanks to the vigilance of the Barleybridge staff. Shaw’s men are either calmly heroic or crustily lovable, and the women either harridans or surrendered wives, morphing on occasion from one extreme to the other in a single visit to the beauty parlor.

A pleasant diversion, especially for animal lovers.

Pub Date: Oct. 24, 2006

ISBN: 1-4000-9821-1

Page Count: 288

Publisher: Three Rivers/Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2006

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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