A fine Orwell biography with equally fine diversions into his favorite leisure activity.

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A fresh perspective on the iconic writer.

Perhaps the greatest political writer of modern times was also an avid gardener. It might seem contrived to build a biography around his passion, but this is Solnit—a winner of the Kirkus Prize and National Book Critics Circle Award, among many other honors—so it succeeds. Certain that democratic socialism represented the only humane political system, Orwell lived among other like-minded leftists whose shortcomings infuriated him—especially (most being middle-class) their ignorance of poverty and (this being the 1930s and 1940s) their irrational attraction to a particularly nasty delusion in Stalin’s regime. “Much of the left of the first half of the twentieth century was akin to someone who has fallen in love, and whose beloved has become increasingly monstrous and controlling,” writes Solnit. “A stunning number of the leading artists and intellectuals of that era chose to stay with the monster—though unlike an abusive relationship, the victim was for the most part not these ardent lovers but the powerless people of the USSR and its satellites.” Unlike many idealists, Orwell never assumed that it was demeaning to enjoy yourself while remaining attuned to the suffering of others, and he made no secret of his love of gardening. Wherever he lived, he worked hard to plant a large garden with flowers as well as vegetables and fruit. Solnit emphasizes this side of his life with frequent detours into horticultural topics with political lessons. She also chronicles her visits to the source of most American flowers: massive greenhouse factories in South America, especially Colombia, which grows 80% of the roses sold in the U.S. The author grippingly describes Stalin’s grotesque plan to improve Soviet food production through wacky, quasi-Marxist genetics, and readers will be fascinated to learn about artists, writers, and photographers whose work mixes plants and social reform.

A fine Orwell biography with equally fine diversions into his favorite leisure activity.

Pub Date: Oct. 19, 2021

ISBN: 978-0-593-08336-9

Page Count: 256

Publisher: Viking

Review Posted Online: Aug. 3, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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