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Mama, Did They Drop The Bomb?

A coming-of-age memoir that tries too hard to be a serious anti-war tome, though it’s an interesting look at liberalism in...

The author recounts his transformation from boy to man, set against the backdrop of the Iraq War.

Havens’ debut memoir begins a couple of seasons after September 11, 2001, “as spring peeked up from the frozen ground,” but we first meet him on the day his grandmother dies. Feeling changed and vulnerable, he decides to transfer colleges and move in with a new group of friends. He’s your typical college kid—mostly interested in partying with friends—but that changes when America decides to invade Iraq in 2003. Havens feels frustrated with the blind faith his fellow Texans (and many Americans) have in President Bush, and he begins staging protests on his college campus. His extracurricular activity lands him in some trouble—he has several dust-ups with law enforcement, gets jeered by people in town, and a rift forms between him and his mother—but he keeps fighting to stop the war. Havens finds peace from his struggles in unlikely places: “More than anything else, the strip clubs were the one place where the war did not exist, the one place where I did not feel the need to rail against the injustice of everything,” he writes. This pastime, however, may seem to contradict his message of morality and equality. Havens reminds us that while the war may technically be over, its effects remain, as is the case with any military conflict; he cites sobering statistics of soldier suicides (“More U.S. soldiers died by suicide here at home in 2012 than died fighting the war in Afghanistan”) to prove his point. Havens’ mission in writing his story is admirable, but the execution sometimes falls short. While the writing is sincere—“The money, weed, people, and music…All of this only kept alive my desire to see the people of the world stop killing, raping, and hating each other”—it’s often somewhat artless. The prose also has the exceptional earnestness of a college student just discovering his interest in politics and social justice, which may inspire or annoy. Either way, Havens’ commitment to ending the war and his enthusiasm for peace is refreshing and comes across in his work.

A coming-of-age memoir that tries too hard to be a serious anti-war tome, though it’s an interesting look at liberalism in Texas.

Pub Date: Sept. 8, 2013

ISBN: 978-0988676213

Page Count: 256

Publisher: Redway Media

Review Posted Online: April 29, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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