edited by Regina Marler ‧ RELEASE DATE: Sept. 30, 1993
In this selection of 300-plus (from over 2500) surviving letters of Vanessa Bell (1879-1978), Marler adds a warm, modest, humane, and maternal tone to the raucous Bloomsbury chorus—to the ironies, cruelties, and wit of Virginia (Bell's sister) and Leonard Woolf, Lytton Strachey, John Maynard Keynes, Roger Fry, Duncan Grant, and Ottoline Morrell, all of whom appear in these casual letters. A painter and decorative artist, Bell wrote letters that reflect the trivia and gossip of the atheistic, unsentimental, sexually liberated Bloomsberries, to whom she was a loving and unassuming center. However self-deprecating she was about her feelings—expressed in her disheveled appearance and frugal style- -Bell's painting, aside from experiments with abstraction and her decorative murals, was aggressive, a distorted and raw realism. Devoted to her art, her husband Clive, and her lovers Roger Fry and Duncan Grant, Bell was fascinated by the ``maternal instinct'' awakened by her children: Julian, who died in the Spanish Civil War; Quentin, who became an artist (and who writes a moving prologue here); and Angelica, her daughter by Duncan who grew up to marry David ``Bunny'' Garnett, a man 26 years her senior and once her own father's lover, and to produce four daughters to delight Vanessa. The best letters here include a caricature of the Bloomsberries attending a film depicting a Caesarian section (1931); several to Julian in China (1935-37); laconic responses to Julian's death and Virginia's suicide (1941); and explicit homosexual fantasies about Keynes and Strachey cavorting with young boys. Vanessa was by her own admission a better painter than writer- -and, indeed, her letters lack the bite and wit of other Bloomsbury writings. But Marler's biographical introductions and meticulous footnotes, as well as the 25 b&w photographs, add substance. The real pleasure here is in seeing Bell mature with the century, her fashionable attitudes replaced by authentic experience.
Pub Date: Sept. 30, 1993
ISBN: 0-679-41939-X
Page Count: 384
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1993
Share your opinion of this book
More by Regina Marler
BOOK REVIEW
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.