An ambitious but overly dense fantasy novel with time-travel elements.

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WAR OF THE WORLD MAKERS

Michaels’ fantasy debut imagines an alternate history in which sorcerers battle to shape the world to their liking.

In 1744, after sorcerer Temujin Gur’s black magic foils spellcrafter Zolo Bold’s attempt to overthrow the emperor of China, Zolo seeks out the Prussian princess Freddie von Anhalt, who’s rumored to be a powerful “World Maker” in the making. Gur still manages to assassinate Zolo, but in this novel that leaps through time, Zolo’s death is only the beginning. The princess, known later in life as Czarina Catherine II of Russia, must triumph in a war against the time-traveling 21st-century madman Edison Godfellow, a Nietzsche-influenced immortal who wishes to destroy mankind as we know it and launch a “Grand Evolution” of humanity: “His army of spellcraft captains and Dio Soldati, or God Soldiers, are spread throughout the centuries like a growing pox. We are waging war against them, a war for utopia you might say.” That “we” is Freddie and her allies, including Zolo, the violin teacher and World Maker Niccolo Paganini, and different versions of Freddie herself at other ages. In a centuries-spanning tale of ambition, intrigue, and conflicting political worldviews, beings that exist outside the normal restraints of time fight to realize mankind’s potential. Michaels writes in a dramatic prose style that successfully invigorates the novel’s larger-than-life characters and situations. The diversity of settings (including Central Asian khanates, Enlightenment-era Europe, and a far-future Dubai) makes for fun and evocative reading, as do the winks at real-life history (Edison Godfellow is revealed to have been known by quite a famous name). Unfortunately, the fractured nature of the plot and the complexity of the fictional world force readers to work hard just to know what’s going on. The intricacies of magic, multiple timelines, and political philosophy keep it from being the digestible, escapist fantasy that readers may expect at the outset. Overall, Michaels displays a great deal of conceptual imagination, but more often than not, he lets it get in the way of his storytelling.

An ambitious but overly dense fantasy novel with time-travel elements.

Pub Date: Aug. 1, 2017

ISBN: 978-0-692-91963-7

Page Count: 268

Publisher: Del Sol Press

Review Posted Online: Oct. 31, 2017

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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