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SHATTERED REFLECTIONS

FIRE AND ICE WERE NEVER MEANT TO COEXIST

From the McAllister Justice series , Vol. 5

A playful murder tale that should please longtime fans of this series and seduce new ones.

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This fifth installment of a series finds a detective tangled in the dangerous life of a private investigator.

Denny Alscher is a scientist working at Horizon Solar. He’s discovered a way to “weaponize the generation of liquid solar fuel” and hopes to sell the formulas. He meets his old friends Mitch Calantus and Larry Neaman at an abandoned school. When he realizes they plan to shoot him, Denny impales Mitch with a wooden picket. After escaping, Denny decides to hire a Portland, Oregon, area private eye to make it seem like he killed Mitch in self-defense. Enter 21-year-old Kathryn “Katt” Nugle, a feisty sleuth with a pink streak in her hair and a pet ferret, Gila. She’s also friends with the McAllister clan, six siblings committed to police and investigative work. Detective Matt McAllister has been determined to protect Katt since her kidnapping by the Biobotics company. Though 10 years separate the two, they share a fiery sexual tension that’s impossible to ignore. When Katt’s latest employer, Denny, leaves his bloodied jacket at their meeting—only to eventually fire her—she and Matt try to puzzle out the situation. Their struggle deepens as Denny’s fiancee, Molly, is found dead. Molly is the sister of Carina Frendal, an old flame of Matt’s who’s just re-entered his life. In this volume, Garrett (Carbon Replacements, 2018, etc.) continues to expand the McAllisters’ steamy and perilous world. While romance frequently overtakes the narrative’s thriller aspects, readers should appreciate the realism of lines like “Whenever undertaking assignments associated with increased risk,” Katt “smudged her license plate with mud.” The age-gap dynamic is explored well, as Matt resists Katt’s advances as long as possible, sure that “you should have a boy who sweeps you off your feet but can...meet you halfway, not one who...leaves you praying you can maintain your identity.” The author writes natural, often excellent dialogue, though she tends to overexamine her characters’ thoughts and feelings in the surrounding exposition. Nevertheless, Katt and Matt create a bond that readers should want to see fleshed out further.

A playful murder tale that should please longtime fans of this series and seduce new ones.

Pub Date: Jan. 7, 2019

ISBN: 978-1-79037-377-2

Page Count: 281

Publisher: Time Tunnel Media

Review Posted Online: Jan. 14, 2019

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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